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             Conflict Management


             (00, 10, 01, 11), therefore four shades of gray (including  CONCLUSION
             black and white) can be represented. Four shades of gray  Computer graphics will continue to get more sophisti-
             are not generally enough gradation to create a realistic rep-  cated. Their 3-D photorealistic capabilities and ability to
             resentation. Generally, 8 bits, or 256 shades of gray, are  predict changes over time have revolutionized product
             needed to produce a high-quality image.          development and marketing, as well as scientific research
                                                              and education. They are responsible for superior special
             COLOR AND RESOLUTION                             effects in movies and on television. Many newspapers and
                                                              magazines use only computer-generated graphics.  They
             Color poses an additional complication. All colors can be
             created by combining the three primary colors of light:  add an aesthetic and emotional dimension to text. Com-
             red, green, and blue. For a computer to render color effec-  puter graphics affect everyone’s life in almost every aspect
             tively it then needs to separately describe each of these  every day.
             three primary colors. Although any color can be created  SEE ALSO Information Technology
             with as few as 2 bits, most computers today use 24-bit or
             32-bit depth to represent a full color image, producing up
                                                              BIBLIOGRAPHY
             to 16,777,216 colors. This surpasses the capability of the
                                                              Maxwell, Marty (2004). The Role of Visual Imagery in Advocacy
             human eye, which can discern about 10 million colors.  Journalism. Athens: University of Georgia.
                The higher the bit depth the more accurate the color  Zenz, Dave (2002, September). Advances in graphics architec-
             is. Even with 16 million colors, however, one may have a  tures. Retrieved November 14, 2005, from
             low-quality image unless one also has high resolution. Res-  http://www1.us.dell.com/content/topics/global.aspx/vectors/
             olution is the density of points, or pixels, on the image  en/2002_graphics?c=us&l=en&s=corp
             array—that is, the number of columns and rows per inch.
             The greater the number of columns and rows the higher the
                                                                                                Marty Maxwell
             density. The higher the density, the greater the resolution.
                The cost of high resolution and greater bit depth is
             space. High-quality graphics take up a large amount of
             disk space in a computer and require larger memory sizes  CONFLICT
             to work with and edit them. One professional digital  MANAGEMENT
             image can easily require 50 megabytes, that is, 8,192,000
             bits, or more, of space.                         SEE Human Relations; Management/Leadership Styles
                Display devices and printers are limited by the
             amount of data they can represent. The optimal resolution
             required for a digital image varies based upon the output
             medium and the number of rows and columns it can dis-  CONSUMER ADVOCACY
             play per inch. The resulting intersection points are called  AND PROTECTION
             dots and the number per inch are called dots per inch, or  Consumer advocacy refers to actions taken by individuals
             dpi. Usually a fine-art print will require high resolution,  or groups to promote and protect the interests of the buy-
             while a Web-based image will not. One of the advantages  ing public. Historically, consumer advocates have assumed
             of digital images is they can be stored on the computer  a somewhat adversarial role in exposing unfair business
             and used repeatedly, each reproduction being exactly the  practices or unsafe products that threaten the welfare of
             same as the last.                                the general public. Consumer advocates use tactics such as
                Until recently, before viewing a digital image it had to  publicity, boycotts, letter-writing campaigns, Internet
             be converted to a nondigital or analog format because most  “gripe sites,” and lawsuits to raise awareness of issues
             output devices were analog. Cathode-ray tubes, most tele-  affecting consumers and to counteract the financial and
             visions, and many printers are still analog, but liquid crys-  political power of the organizations they target. Since even
             tal display monitors and many other printers and  large, multinational businesses can be visibly wounded
             televisions are digital. Digital images can go directly from  when their mistreatment of consumers or other con-
             the computer to the output device without translation.  stituencies arouses the ire of consumer advocacy organiza-
                The capabilities and robustness of computer graphics  tions, it should be obvious to business owners that they
             have evolved over several decades. See Table 1 for high-  can ill afford to engage in business practices that could
             lights of the major advancements regarding computer  draw the attention of consumer advocates.
             graphics in the fields of computer technology, video,  Periods of vocal consumer advocacy around the turn
             movies and television, and modeling.             of the twentieth century and in the late 1960s have left a


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