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MASS COMMUNICATION

               lifestyle of their locality. With a dual agenda of social/neighbourhood
               regeneration and competitiveness within the global economy, these
               policy approaches have a specific focus on place rather than the nation
               as a whole. The mobilisation and coordination of funding bodies, arts,
               heritage and tourism agencies as well as private- and third-sector
               groups are central to this trend. By providing opportunities for creative
               workers, creating programmes for skills development and advancing
               cultural industries with a wide appeal, cities (and some towns) are
               attempting to stand out in the global landscape.

               See also: Cluster, New economy

               Further reading: Coyle (1998); Friedman (1990); Hall (2000); Hannerz (1990)

               MASS COMMUNICATION


               The practice and product of providing leisure entertainment and
               information to an unknown audience by means of corporately
               financed, industrially produced, state-regulated, high tech, privately
               consumed commodities in the modern print, screen, audio and
               broadcast media, usually understood as newspapers, magazines,
               cinema, television, radio and advertising; sometimes including book
               publishing (especially popular fiction) and music (the pop industry).
                  Caution should be exercised with respect to the term itself. The
               word ‘mass’ may encourage the unthinking replication of mass
               society theory, while the word ‘communication’ in this context
               masks the social and industrial nature of the media, promoting a
               tendency to think of them as interpersonal communication. Since
               mass communication is neither mass nor communication as normally
               understood, the term should be seen as something akin to a proper
               name.
                  Mass communication is not a concept that can be defined, but a
               common-sense category that is used to lump a number of different
               phenomena together in a non-analytic way. Attempts to define it,
               however, are plentiful, but they always fail. This is because they are
               forced to be too restrictive, in which case the definition does not do
               justice to all that we commonly think of as mass communication (it is
               hard to encompass the diversity of what constitutes print, cinema,
               radio and television within one definition). Or else they are forced to
               become too over-extended, in which case the definition ends up
               applying equally well to something that we don’t think of as mass

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