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METHODOLOGY

                  Visual metaphors abound in cinema and TV, especially in the way
               that concrete visualisations stand for abstract ideas: there are both novel
               and cliche ´d ways to convey ‘normality’, ‘threat’, ‘the city’, ‘prostitu-
               tion’, ‘bad guy’, etc. In television, visual metaphors are used to cue
               viewers as to the social standing of sitcom or soap opera characters or
               families – the style and decoration of fridges on the set, for instance.
               There was a vogue for spice racks, a visual metaphor that for a while was
               an almost infallible marker of the ‘middle-class family’ on British TV
               sitcoms.


               METHODOLOGY

               The study of, or explicit concern with, methods of investigation in
               research of any kind, or the body of methods used in any one branch.
               The methodological tool cupboard of communication, and cultural
               and media studies is capacious, because these are interdisciplinary
               fields. They have borrowed methods from sociology, anthropology and
               other social sciences with a history of serious concern for
               methodology, as well as from literary and textual analysis, in which
               formal method training has traditionally played a less prominent role.
               Methods are usually rule-bound modes of investigation, taking care to
               outline function and field of inquiry. Before a method is chosen it is
               important to establish what knowledge we are attempting to access and
               for what purpose. This is where methodology as the ‘science’ of
               method is useful, hovering behind such choices as a check not only on
               how well what is proposed fits in with established rules and procedures,
               but also on whether the right method for the job has been chosen.
                  Methods fall broadly into two categories – empirical and
               theoretical. Theoretical methodologies within communication and
               cultural studies include Marxism, psychoanalysis, semiotics, textual
               analysis, feminist and queer theory, as well as theoretical work done in
               contributory or neighbouring disciplines, from science to sociology.
               These types of methodologies are less interested in providing an
               individual method than they are concerned with the possibilities of
               understanding howwe make sense of the world.
                  Empirical methods are concerned with studying actually existing
               recoverable artefacts. These may include quantitative data – the
               numbers and statistics that may result from content analysis, censuses
               and surveys. Or the data may be qualitative, e.g. that collected via
               participant observation or ethnographic methods. Both quantitative
               and qualitative data may be suitable for generalisation. But equally,

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