Page 187 - Communication Cultural and Media Studies The Key Concepts
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PARTICIPANT OBSERVATION

               fluctuation. Instead, linguistics should focus on the underlying sets of
               rules and conventions that make parole possible and guarantee its
               intelligibility.
                  There is nonetheless a close and complementary relationship
               between langue and parole. Parole may be seen as a continual
               implementation of the underlying system constituted in the langue;
               but conversely the continual practice of speaking adorns and adjusts
               the langue, moulding it gradually into a different form. No single
               individual can control or shape the langue; but generations of speakers
               can and do alter it from one historically specific state to another.
                  Like many of the terms originally developed in Saussure’s lectures
               between 1906 and 1911, langue and parole achieved new currency
               during the 1960s and 1970s with the emergence of semiology as the
               study of sign systems (see semiotics). In this study a particular film or
               fashion garment could be seen as an individual instance of parole
               against the backdrop of the underlying system of film language or
               fashion codes. One difficulty with this application of the term is that it
               was much more difficult to think of ways in which film as a system of
               signification was available for study except through its parole,
               whereas language was more generally available through introspection
               because of its mental basis.

               See also: Code, Langue

               Further reading: Culler (1976); Montgomery (1986); Saussure (1974)

               PARTICIPANT OBSERVATION


               A method used in the social sciences to study the lived practices of a
               community or collective of some sort in a ‘natural’ environment, i.e.
               outside a laboratory or experimental context. Participant observation
               is a form of ethnography that has been used in media studies as a means
               of understanding howselected audiences make sense of and utilise
               media texts in their daily routines. Research of this kind seeks to
               garner a greater understanding of individuals through the submersion
               of the researcher into the lives of their research subjects.

               See also: Audiences, Ethnography, Methodology

               Further reading: Hansen et al. (1998)




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