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PERSUASION

               PERFORMANCE


               The semiotics of self. The concept of performance has gained ground
               in recent cultural analysis; it encompasses both institutionalised,
               professional performances (drama, ritual), and a non-psychologistic
               approach to individual people’s self-presentation and interaction. It
               also seems to suffuse American popular culture and everyday
               encounters.
                  The appeal of performance as a general analytic category is twofold.
               First, its very generality: the term has been applied not only to what
               actors and other professionals do but also to the ‘performance’ of
               unrehearsed cultural practices in everyday life, to the actions of
               audiences, spectators and readers. Although performances in everyday
               life will differ markedly from theatrical or media performances, there
               are sufficient connections to make comparison worthwhile. You can
               analyse the differences between fictional and public performance
               (drama and politics); between acting conventions (naturalistic and
               ritualistic); between media (cinema and television); between genres
               (soap opera and Shakespeare); and so on.
                  Second, the concept of performance directs the analyst’s attention
               not to the internal psychological state or even the behaviour of a given
               player, but to formal, rule-governed actions which are appropriate to
               the given performative genre. If you start looking at ordinary
               encounters in this way, from doctor–patient interviews to telephone
               calls, it is clear that there are performative protocols in play that require
               skill and creativity in the manipulation of space, movement, voice,
               timing, turn-taking, gesture, costume and the rest of the repertoire of
               enactment.

               PERSUASION


               The act of motivating or influencing the behaviour, opinions, values
               and beliefs of groups and individuals. Persuasion in the media is both
               political (political parties, lobbyists, interest groups, spin) and
               commercial (advertising, product placement, public relations). In
               communication practices such as marketing and PR, persuasion
               techniques are designed to ‘influence how receivers choose or decide
               which information to process’ (Ross, 1990: 4)
                  The genre of public service advertising is an example of the
               employment of persuasion techniques. Such campaigns are concerned



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