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9

                 Interview with Alexander Medvedkin













                Question: How did you start work in cinema and why?
                             1
                    Medvedkin:  The story of my start in cinema is somewhat unusual.
                The positions that I stand for in cinema are upsetting. They differ from
                those of my colleagues. I’ll tell you in my own words the essence of my
                position in cinema.
                    I’ve worked in cinema for nearly sixty years and my positions
                haven’t  changed. I’ve paid very  dearly for this, because  I’ve had  to
                overcome  enormous  obstacles and a  great deal of misunderstanding,
                great resistance, and so perhaps the most valuable thing that you will get
                from me is the knowledge of what I wanted in cinema. What I wanted,
                and what I still want, from  cinema is that it should be a weapon of
                attack, an offensive weapon in the  battle against evil, wherever it
                originates and however limited our resources for that battle are.
                    I’ll try and give you a few  examples of  the  limitations  and the
                difficulties that I’ve encountered in my life. Before I became involved in
                cinema I played an active part in the Civil War. There was something
                called Budyonny’s cavalry. I was a trooper, a combat commander in
                battle and a teacher, a political worker, once the war was over. People
                forget nowadays that around 1921—2 things were quite different from the
                way they are now. The country was in ruins, people were exhausted and
                the male population had been decimated in the Civil War. There was no
                bread,  industry had  been  laid waste,  the transport system wasn’t
                functioning. On top of that, because of the First World War, a generation
                of illiterates had grown up. Russia has always been known for the great
                tragedy of its  peasantry. As a  peasant country it has always been
                illiterate.  We had recruits  who were illiterate  and we taught them to
                read. We made them into human beings. Roughly 70 per cent of our
                recruits were illiterate. I’m proud of the fact that I played a part in the
                process of educating this problem generation, so that by the time of the
                Great Patriotic War [1941—5] the illiterate soldiers who had come to us
                in complete ignorance had become the backbone of the command. They
                were in charge of battalions, tanks, brigades. A very large number rose
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