Page 272 - Inside the Film Factory New Approaches to Russian and Soviet Cinema
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Index
In this index film titles are given in English translation. To assist identification, each
title is followed by the name of the director and the year of production and/or
release.
Accordion, The (Savchenko, 1934) 210 Russian endings
acting in cinema 30—49, 102, 117, 141—4, Andrei Kozhukhov (Protazanov, 1917) 107
178, 204—6, 211; Andreyev, Leonid 19—20, 117
the model actor (naturshchik) 30—49, Anka see The Ice Breaks
204, 211; Annensky, Innokenti 93
Protazanov and stage actors 110 Annushka (Barnet, 1959) 148, 159
Adorno, Theodor 176 anti-religious films 108—10
Aelita (Protazanov, 1924) 70, 80—102, 102, anti-Semitism 97—8, 135, 146, 211
108, 110—12, 112, 121, 125 Appia, Adolphe 93
Aerograd (Dovzhenko, 1935) 211 ARK/ARRK 166, 195, 204, 243 n.2
Agadzhanova-Shutko, Nina 191 Ars cinema 83
Age of Majority, The (Schreiber, 1935) 144 Arsenal, The (Dovzhenko, 1929) 189, 195
agitation and cinema 50, 53, 85, 189 Artist i stsena (newspaper) 26
Agonising Adventure, The (Protazanov, Avenger, The (Shpis, 1931) 137
1923) 91
Aleichem see Sholom Aleichem Babel, Isaak 122, 126, 128—5
Aleinikov, Moisei 4, 9—10, 85—6, 91, 102, Babitsky, Paul 61, 130
107—9, 121 Babochkin, Boris 142
Alexander Nevsky (Eisenstein, 1938) 211 Bakhtin, Mikhail 82, 99,100—1, 190
Alexandrov, Grigori 121, 147, 154, 175, 178, Ballet mécanique, Le (Léger and Murphy,
203, 208 1924) 47
Alone (Kozintsev and Trauberg, 1931) 180, Ballyuzek, Vladimir 127, 135
183, 185, 197, 211 Baltic Deputy, The (Zarkhi and Kheifits,
Altman, Natan 125—9, 135 1936) 211
Alyonka (Barnet, 1961) 159—2 Barnet, Boris 2—2, 49, 137, 148—64, 211
American cinema, and Soviet cinema 138, Batalov, Nikolai 95, 100, 110, 144
143, 148, 156—60, 171—4, 176, 180—3, 213— Battle of Tsaritsyn, The (Vertov, 1919—20)
15; 51
and Aelita 92, 96—7, 103; Battleship Potemkin, The (Eisenstein, 1925)
and the avant-garde 50—9; 82, 128, 174, 191, 194—6, 204, 211—12
and popular Soviet cinema 71, 103, 116; Bauer, Yevgeni 15—17, 105, 110
see also Hollywood; Bazin, André 174
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