Page 275 - Inside the Film Factory New Approaches to Russian and Soviet Cinema
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256 INDEX
            film recitation 19—24            Gorizont (Kuleshov, 1932) 144, 150, 211
            film school (including GIK, GTK, VGIK) 36—  Gorky, Maxim 136, 154, 202
              39, 41, 43, 48, 50, 84, 113    GOSET (State Yiddish Theatre) 123—7,
            film train 167—71                  128, 136, 145
            First Platoon, The (Korsh-Sablin, 1933) 144  Goskino 68—70, 73—5, 128, 194
            Five Year Plan 137, 141—5, 146, 165, 168—1,  Goslavskaya, Sofiya 8
              182—8, 197, 201                Gosvoyenkino 165, 169
            Ford, John 156, 191              Grandma’s Boy (Lloyd, 1922) 171—4
            Foregger, Nikolai 36, 101        Granovsky, Alexander 123—9, 145
            Forestier, Louis 21—2            Great Citizen, A (Ermler, 1937—9) 194
            Formalism 110, 118, 154, 175, 177, 180,  Great Consoler, The (Kuleshov, 1933) 82,
              186—9, 189, 195, 200, 205        180
            Forty-First, The (Protazanov, 1927) 108,  Great Man Passes On, The (Protazanov,
              112—14, 119, 122;                1912) 91
              (Chukhrai, 1956) 158           Greater Promise, A see Seekers of
            Forward, Soviet! (Vertov, 1926) 181  Happiness
            Four and Five (Gardin, 1924) 85  Gricher-Cherikover, Grigori 125, 129—4, 135
            Fragment of Empire, A (Ermler, 1929) 101  Grierson, John 174
            fremde Mädchen, Das (Hofmannsthal script,  Griffith, D.W. 5, 49—9, 153
              1913) 18                       GUK/GUKF 200, 206
            Fuchs, Georg 93                  Gusman, Boris 126
            Futurism 82, 93                  Gutman, David 137, 141, 142, 144
            Fyodorov, Nikolai 97             Gzovskaya, Olga 15, 105

            Gabo, Naum 96                    Habima Theatre 123, 127, 134
            Gabrilovich, Yevgeni 175—8, 198  Hansen, Kai 8
            Gan, Alexei 48                   Happiness (Medvedkin, 1935) 169—5, 208—
            Gardin, Vladimir 16, 28, 35—41, 43, 46, 48—  10
              49, 106, 121                   Happy Canary, The (Kuleshov, 1929) 200
            Gaumont 24                       Happy Guys, The (Alexandrov, 1934) 194,
            Gay Canary, The see The Happy Canary  208
            General Line, The (Eisenstein, 1929) 177,  His Call (Protazanov, 1925) 108, 112—15,
              180, 204                         119
            Gerasimov, Sergei 137, 151, 154  His Excellency (Roshal, 1927) 133—8
            Girl with a Hatbox, The (Barnet, 1927) 148—  His Eyes (Viskovsky and Volkov, 1916) 13,
              2, 152, 154, 162                 18
            Gladkov, Fyodor 130              Hitchcock, Alfred 158, 191
            Glavpolitprosvet 109             Hoberman, J. x, xi, 122—50
            Glebov-Putilovsky, Nikolai 53    Hofmannsthal, Hugo von 18—19
            Godard, Jean-Luc 148             Hollywood 69, 178—1, 191, 202, 213—15;
            Gogol, Nikolai 23                   ‘Soviet Hollywood’ 213—15;
            Gold Rush, The (Chaplin, 1925) 171  see also American cinema
            Goldblatt, Moishe 124—7          Homeland, The (Dovzhenko project) 128
            Golden Mountains, The (Yutkevich, 1931)  Honour (Bek-Nazarov, 1926) 127
              184—7, 197, 211                Horizon, the Wandering Jew see Gorizont
            Golovnya, Anatoli 180            House on Trubnaya, The (Barnet, 1928)
            Goncharova, Nataliya 93            150—3, 154, 162
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