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Practice  141

             culture. Drawing especially from Marcel Mauss, who analyzed “techniques
             of the body” across cultures and religions, Bourdieu’s notion of habitus also
             echoed Marx’s contention that practice is a “state of the body” (Bourdieu
             1990a: 68). For Bourdieu, the “common sense” of being a body in practice
             in a particular culture was not natural; instead, the “feel for the game” that
             was practice was “social necessity turned into nature” and thus obscured
             (Bourdieu 1990a: 69). Not natural but naturalized, practice contained within
             it both cultural competency and cultural domination.
               Bourdieu understood practices to make sense in particular cultural “fields,”
             such as education, art, or religion. The ways in which actors related to each
             other in these fields had much to do with their different levels of not only
             economic but cultural and symbolic capital; the knowingness and authority
             that one commands in a boxing ring, for example, is based on different kinds
             of capital than those operative in a lecture hall. In its demonstration that
             particular kinds of practices make sense in one field and not another and
             its analysis of conflict within fields, Bourdieu’s theory of fields of cultural
             production  was  particularly  useful  for  bringing  together  his  theory  of
             practice with the study of media (Bourdieu 1984; 1993; cf. Peterson and
             Anand 2004). Bourdieu’s own attention to religion in particular was more
             sporadic,  but  his  theories  of  practice,  habitus,  and  symbolic  capital  have
             deeply influenced the study of religion (e.g., Bell 1992).
               Another strong current among practice theory was the work of the French
             historian Michel de Certeau, who argued that Bourdieu’s “logic of practice”
             sacrificed the embodied knowingness of practices for benefit of constructing
             his theory: “Scrupulously examining practices and their logic—in a way that
             surely has had no equivalent since Mauss—[Bourdieu’s] texts finally reduce
             them to a mystical reality, the habitus, which is to bring them under the
             law of reproduction” (de Certeau 1984: 59). Most troubling for de Certeau
             was Bourdieu’s insistence that practice was defined by the unknowingness
             of its actors—once an actor reflected on her actions as a “practice” it was
             no longer naturalized or common sense, and thus no longer a practice. De
             Certeau, by contrast, thought of practice as a more knowing disposition,
             made  up  of  both  “strategies”  and  “tactics.”  For  de  Certeau,  strategies
             were practices calculated by those individuals, organizations, or bodies of
             expertise that had power over others and that were able to claim a space
             of their own—for example, armies, businesses, and scientific institutions. A
             tactic, by contrast, was a calculated practice of the “weak” or those who did
             not have a protected place from which to operate and who were forced to
             act within the territory of those who held the bulk of the (violent) power (de
             Certeau 1984). His articulation of strategies and tactics allowed de Certeau
             to make space for resistance or for practices that were knowingly counter
             to dominant views, though he could not be considered entirely optimistic
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