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30  Birgit Meyer and Jojada Verrips

                For consideration of how the content of the works shown may lead to shock,
                vomiting, confusion, panic, euphoria, and anxiety, see Verrips 2008.
               2  For a more detailed account of aisthesis, see Verrips 2006.
               3  Critiques  of  modern  perceptual  regimes,  as  launched  by  Benjamin  (1977)
                and  Buck-Morss  (1992),  are  well  founded  in  that  they  contextualize  the
                transformation of the sensorium, which led to foregrounding a sense such as
                vision,  and  attempts  to  anesthetize  other  sense  perceptions.  Nevertheless,
                ocularcentrism should not be taken at face value, as this implies a numbing of
                our understanding of the modern sensorium. The point is to explore the tuning
                of the senses, and their synaesthetic interferences, in specific historical settings,
                such as the modern one.
               4  For  a  more  detailed  outline  of  the  notion  “sensational  form,”  see  Meyer
                (2006a).
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