Page 170 - Literacy in the New Media Age
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READING AS SEMIOSIS 159

            dominant  mode  into  the  dominant,  or  treat  both  as  equal  and  read  them
            conjointly.  A  further  component  in  the  strategy  might  be  to  assess  what  the
            function of each of the two modes in the text is, both at a structural level – are
            they complementary to each other or is one supplementary to the other? – as well
            as in terms of their specialised meaning-role – does writing, as in the example
            here, have the function of ‘pedagogic framing’, and image that of representing
            curricular content? This double assessment would provide a strategy for reading
            the page or text.
              Just as in the scanning of a sentence, say, where we have a preliminary sense
            of  the  major  components  which  shapes  our  initial  approach  to  its  reading  –  of
            course  the  actual  reading  may  need  to  be  revised  along  the  way  –  so  this
            assessment  gives  us  a  sense  of  how  to  read  the  page:  there  are  ‘chunks’,
            elements, units of meaning, of differing function, structurally in their relation to
            each other and in their meaning-relation. The first scanning might give sufficient
            sense to the experienced ‘reader’ of such a page for her or him to proceed with a
            reading  ‘below’  the  level  of  these  elements.  ‘Experience’  here  would  indicate
            both  prior  encounter  of  such  pages  or  texts,  and  membership  of  the  relevant
            social/textual community, that is, someone who both understands what is at issue
            socially and culturally, and understands usual modal forms of realisation of these
            issues. At the points of transition from one modal ‘block’ to another, there is then
            an  expectation  for  the  reader  of  two  kinds:  for  instance  ‘now  I  will  get
            information which complements that which I have just had’ and ‘I will now get
            information of this kind (curricular, let’s say) rather than that kind (pedagogic,
            let’s say)’. The reading would then proceed at that next level ‘down’, in terms of
            the elements which exist in that block, at that level, in that modal realisation.
              This  would  not  tell  us  what  reading  path  to  adopt.  That  decision  would  be
            another result from the first scanning, and it would depend on two things: on the
            one hand, the look, the organisation, of the page – how are the blocks organised,
            spatially, in relation to each other? And, on the other hand, the reader’s already
            existing disposition as a reader. A reader who had been socialised into traditional
            forms of reading may wish to persist with that as a possibility, even when that is
            really  difficult  in  terms  of  what  the  page  is  like.  Other  readers,  socialised  into
            newer forms of organisation through the significance in their lives of the screen,
            might wish to read even a (relatively) traditional page in terms of a non-linear
            reading path. So a reading path is nearly as much a matter of the social as it is of
            the  semiotic.  Given  that  readers  socialised  in  the  traditional  forms  of  the  page
            and  of  the  mode  of  writing  are  those  who  have  social  power  now,  whether  as
            parents, educators, politicians or media-pundits, it is not surprising that there is
            such outrage at the newer semiotic forms. They are felt as challenges to social
            power, which they are.
              The semiotic and the social power of the screen is now such that its influence
            reaches  all  sites  of  representation.  It  may  be  that  the  designers  of  the  science
            page  believed,  if  they  thought  about  it  at  all  in  those  terms,  that  they  were
            constructing  a  traditional  page,  though  made  attractive  for  the  readership  of
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