Page 93 - Contribution To Phenomenology
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86                MAXINE   SHEETS-JOHNSTONE

              Many  times  in  the  course  of  thinking  of  ways  in  which  I  might  begin
              this  essay,  my  thoughts  turned  back  to  Paul  Valery.  While  it  would  have
              been  appropriate  to  attempt  to  situate  the  essay  in  the  context  of
              Schutz's  work,  Valery's  provocative  piece  titled  "The  Problem  of  the
              Three  Bodies''^  proved  in  the  end  too  magnetic.  In  this  short  piece,  first
              published  in  1943,  Valery  proposes  that  each  of  us  in  our  thoughts  is  not
              two  but  three  bodies—"at  least."  That  Valery  diverges  numerically  from
              phenomenological  and  existentialist  accounts  is  precisely  what  is  of
              moment.^ He  distinguishes  not  only  the  felt  body  from  the  physical  body
              but  the  seen  body  from  both.  This  "second"  body  comes  after  what
              Valery  terms  "the  privileged  object"  that  is  "My  Body"  and  before  the
              imaginatively  unified  but visually  disjoint  and  fragmented  body of  science,
              the  body  which,  as  Valery  puts  it,  "has  unity  only  in  our  thought,  since
             we  know  it  only  for  having  dissected  and  dismembered  it."  In  sharp
             distinction  from  the  privileged  object  that  is  My  Body,  the  second  body,
              Valery  says,  "knows  no  pain,  for  it  reduces  pain  to  a  mere  grimace."
                Valery's  three-body  schema  invites  us  to  consider  the  living  body  in
             what  I  call  sensory-kinetic  terms,  and  in  turn  to  realize  that  the  usual
             living  body/physical  body  distinction  can  be  more  finely  analyzed  and
             understood,  indeed,  to  realize  that  corporeal  analyses  can  be  generated
             on  the  basis  of  sensory-kinetic  understandings.  Valery's  first  two  bodies
             coincide  actually  with  what  I  have  elsewhere  described  as  the  tactile-
             kinesthetic  body  and  the  visual  body,^  and  his  third  body  with  what  I
             have  elsewhere  described  as  the  progressively  materialized  body  of
             Western   science.^  The  distinctions  constitute  a  phenomenologically-
             informed  insight,  an  insight  suggestive  not  only  of  the  distinctive



                ^ The  essay  is  actually  an  essay  within  an  essay.  See  "Some  Simple  Reflections
             on  the  Body,"  in Aesthetics (Collected  Works, vol.  13),  translated  by Ralph  Manheim
             (New  York:  Pantheon,  1964),  35-40.
                ^ One  might  well  wonder  whether  Husserl's  distinction  between  two  bodies,  and
             two  bodies  only,  is  a  function  of  the  German  language.  Having  no  such  ostensibly
             complete  and  ready-made  linguistic  corporeal  categories,  Valery's  "thoughts"  may
             have  been  open  to  the  possibility  of  a  range  of  bodies.
                ^  Maxine  Sheets-Johnstone,  The  Roots  of  Thinking  (Philadelphia:  Temple
             University  Press,  1990).  See  also  Maxine  Sheets-Johnstone,  "Existential  Fit  and
             Evolutionary  Continuities,"  Synthase 66  (1986),  219-248.
                ^  Maxine  Sheets-Johnstone,  "The  Materialization  of  the  Body:  A  History  of
             Western  Medicine,  A  History  in  Process,"  in  Giving  the  Body  Its  Due,  edited  by
             Maxine  Sheets-Johnstone  (Albany:  State  University  of  New  York  Press,  1992),  132-
             158.
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