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Born-agains and mainstream believers  149

            very pragmatically, “following one and then another strategy ‘works’ for
            them.” 7
              To review the key dimensions of these arguments about the nature of
            questing or seeking spirituality today, the following seem most important.
            First, religion and spirituality are  everyday things. They are pursued,
            constructed, and experienced in the context of daily life. Second, the prac-
            tices are  reflexive, meaning that they involve a level of complex
            self-consciousness and orientation toward self-identity. Third, they involve
            agency on the part of the individual, a sense of autonomy in the quest and in
            the construction. Finally, the object does have to do with integration of these
            various symbols, practices, and values into an ideal construction of self.
              The importance of Roof’s work to our project of understanding reli-
            gious and spiritual meaning-making in the media age lies in its nuanced
            interpretations of contemporary religious culture and how that culture is
            expressible and expressed in the lives and accounts of individuals, families,
            and groups as they encounter religious and spiritual culture. The fact that
            his categories are not formal or inductive should further serve to connect
            our conversations about religion, spirituality, and media to larger themes
            in the study of religious culture. As Roof, Warner, Albanese, and other
            “new-paradigm” religion scholars argue, it no longer makes sense to look
            for religion in received, formal, inductive, or essentialized categories.
            Roof’s religious “types” thus provide us with a way of organizing and
            interpreting expressed experiences of daily life in a way that reflects what
            we think we know about how religion today is reorganizing itself.

            Roof’s categories
            I introduced Roof’s categories in Chapter 3, including there some
            proposals about what kind of media practice we might expect to find
            among the various types. We’ll look at each of his categories in turn,
            beginning with a review of what we speculated we might find in terms of
            media practices in each category. From there, we’ll proceed to see what we
            can say about the individuals and families we’ve interviewed that seem to
            most closely fit Roof’s definitions. We’ll then move on to some overall
            conclusions about what we’ve seen here.
              This project of placing our interviewees into these categories is a bit
            more difficult than we might have expected. As we already saw with Glenn
            Donegal in Chapter 4 and will be seen in other cases as we proceed, inter-
            viewees here do not fall neatly into Roof’s taxonomy. Instead, it is
            necessary to use his classifications somewhat formally at times, other times
            making assignments to the various categories using a combination of his
            descriptions, received labels, and self-descriptions.
              There are some clues to this challenge in the interviews we looked at in
            the last chapter. One thing that typifies many of the narratives there is a
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