Page 258 - Religion, Media, and the Public Sphere
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time (¤rst one, then the other) but was politically de¤ned and interactive. There
            existed (already) a range of controversies surrounding the centralized Director-
            ate of Religious Affairs in the political conjuncture of the late nineties. I risked
            the crudities of an abbreviated account in order to emphasize the preexistence
            of strategic interests (both dominant and subordinate) whose political agendas
            were at odds with the of¤cial policies of the Directorate. Within this politically
            charged context, the television persona Yasar Nuri Öztürk proved to be a readily
            accessible signpost, lending concrete form to ongoing debates. His public ad-
            dresses provided a repertoire of statements likely to prove “controversial,” which
            were immediately picked up, abridged in the journalistic catchphrases of the
            moment, and reproduced as the latest installment in an ongoing drama—Yasar
            Nuri Öztürk versus the Directorate of Religious Affairs. I termed this a “public
            text,” because it provided a popular idiom of “circulation,” one that allowed for
            multiple, divergent interpretations of what the Directorate stood for and whose
            interests it served.
              Returning to the notion of a “televisual moment,” there is a tension between
            two opposing tendencies of fragmentation and af¤rmation that are embedded
            within the “televisual moment.” How this tension unfolds, however, is “open-
            ended” in the sense that it is bound with prevailing power con¤gurations, con-
            tingent events, and emergent resistances. Television is obviously not some sort
            of trans-historical agency, capable of lending direction to events. But it is far
            more than décor or wallpaper against which players enact their rehearsed parts.
            The claim of television to “reach everybody” opens up new discursive spaces
            and maps out new constituencies, augmenting some political voices and choices
            while muf®ing others. Thus any attempt to move beyond the generalities of a
            “televisual moment,” to trace and unpack its unfolding in speci¤c contexts,
            necessitates particularizing, or what William Sewell has named an “eventful”
            history.

                  Epilogue

                  As I was trying to knit together various strands of my research into a
            narrative conclusion, the incumbent coalition government fell apart, and new
            elections came on the political agenda. Yasar Nuri Öztürk succumbed to the
            lure of publicity (very predictably) and announced his political candidacy on
            the ranks of the CHP (Republican People’s Party) amid a media blitz. He was
            elected to parliament, on November 3, 2002, to be precise. He is currently seated
            (presumably) on the back benches of the national assembly, suffering the com-
            mon fate of all deputies from opposition parties, namely, oblivion. He is unlikely
            to be heard of again unless he becomes involved in corruption or a sex scandal.
            So outworking of political events have relegated Yasar Nuri Öztürk, the person,
            into obscurity. He is now part of the very recent history of the present.
              The landslide victory in the November 3 polls belonged to the AK (Justice
            and Development Party), which was de¤ned by its critics as “Islamist.” Having
            won a comfortable two-thirds majority in parliament, the newly inaugurated

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