Page 41 - Religion, Media, and the Public Sphere
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ferent from us; those over there don’t speak our language; those there, their
                clothes are strange.’ No. If you say ‘There is no God but the one God,’ then you
                are a Muslim. That’s in the Quran. The Serbs destroy houses of God, full of
                people praying, and you say, ‘It’s not my business’ [m"lish da"wa]! Listen to the
                Shaykh, Ahmed.” Attempting to bolster the shop owner’s argument, the third
                man cites a well-known prophetic tradition [hadith] on the equality of Arab
                and non-Arab Muslims: “No Arab is superior to an Ajami [non-Arab] except
                by righteous conduct.” The exchange is interrupted as a boy from the store next
                door calls out for the shop owner to bring over another round of tea. Ahmed
                returns to his water pipe, while, echoing from the dusty electronics of the tape
                recorder, the weeping of the supplicants rises up to engulf the preacher’s voice
                as he continues to lead the collective prayer.
                  In Cairo, where I conducted ¤eldwork for two years, cassette-recorded ser-
                mons of popular Islamic preachers, or khutaba# (sing. khatib), have become a
                ubiquitous part of the contemporary social landscape. The recorded voices of
                these orators can be heard echoing from within grocery stores, cafes, butcher
                shops, private homes, and most forms of public transportation throughout the
                city. Through the multiple practices of audition, exchange, and dialogue they
                mediate, these tapes have contributed to the formation of what I will call an
                Islamic counterpublic, one that often ¤nds expression in informal exchanges of
                the sort described above and that are now a common element of daily experi-
                ence for many Egyptians. Although shaped in various ways by the structures
                and techniques of modern publicity, the counterpublic I discuss here exhibits
                a conceptual architecture that cuts across the modern distinctions between state
                and society, public and private, that are central to the public sphere as a norma-
                tive institution of modern democratic polities. In contrast to a space for the
                formation of political opinion through intersubjective reason, the discursive
                arena wherein cassette sermons circulate is geared to the deployment of the dis-
                ciplining power of ethical speech, a goal, however, that takes public deliberation
                as one of its modalities. Within this context, public speech results not in policy
                but in pious dispositions, the embodied sensibilities and modes of expression
                understood to facilitate the development and practice of Islamic virtues and
                therefore of Islamic ethical comportment. This unique entwining of the delib-
                erative and the disciplinary, as I describe, owes to the way Islamic notions of
                moral duty and practices of ethical cultivation were mapped onto a national
                civic arena by Muslim reformists over the course of the last century, in the con-
                text of an engagement with the institutions, concepts, and technologies of mod-
                ern political life. As mosques in Egypt became the site for new kinds of social
                and political organization and expression, everyday practices of pious socia-
                bility gradually came to inhabit a new political terrain, one shaped both by the
                discourses of national citizenship and by emerging transnational forms of re-
                ligious association. In the course of this shift, forms of practical reasoning tied
                to the tradition of the virtues became oriented not simply toward a notion of
                moral community but toward what we would recognize as a modern public as

                      30  Charles Hirschkind
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