Page 12 - Sport Culture and the Media
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SERIES  EDITOR’S  FORE WORD















                         This second edition of David Rowe’s Sport, Culture and the Media: The Unruly
                         Trinity explores the extraordinarily dynamic linkages between media and sport,
                         and their significance for contemporary society. Where other books in this area
                         typically focus on a particular sport and its depiction in a single medium,
                         Rowe’s book covers both production and interpretation across the full spectrum
                         of what he calls the ‘media sports cultural complex’. In Part I, Making Media
                         Sport, he traces the history of the media-sport nexus, surveys the production
                         of sports journalism, and closely examines the political economy of the sports
                         media. In Part II, Unmaking the Media Sports Text, he teases out the cultural
                         meanings and social ideologies of a wide range of media sport forms and genres,
                         including sports television, radio, films, books, newspapers, photography and
                         the Internet. This new edition discusses the latest developments in the owner-
                         ship and control of media sport and in media sport technology, consumption
                         and use; incorporates new scholarly contributions to the international field of
                         sports media studies; and reviews the most recent global sports events like the
                         Sydney 2000 Olympics and the 2002 World Cup. It sets out to provide readers
                         with the tools to analyse and understand the sports media for themselves as
                         ‘cultural citizens’, and ‘to take back a little of the cultural power that we have
                         ceded to it’.
                           The Issues in Cultural and Media Studies series aims to facilitate a diverse
                         range of critical investigations into pressing questions considered to be central
                         to current thinking and research. In light of the remarkable speed at which the
                         conceptual agendas of cultural and media studies are changing, the series is
                         committed to contributing to what is an ongoing process of re-evaluation and
                         critique. Each of the books is intended to provide a lively, innovative and
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