Page 206 - Sport Culture and the Media
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SCREENING THE ACTION ||  187


                         some similarities and variations. An October one-day match between the
                         unobtrusively named Queensland Bulls and the Tasmanian Tigers revealed an
                         average shot length of less than 6 seconds (5.7), but an average number of shots
                         per over of only 29. The explanation of this uneven finding is that the average
                         over length was only 166 seconds, barely half that of those sampled by Fiske
                         (although some allowance should be made for variation in types of bowling).
                         The Australian cricketing audience’s assumed attention span, it seems, shrunk
                         markedly in those fifteen years. A brief comparative study I conducted in the
                         September of that year of a UK one-day game between Essex and Nottingham
                         revealed an average shot length of a little under 8 seconds (7.95) and an average
                         number of shots per over of only 24 (23.66). The English, it seems, have main-
                         tained their reputation for a more sedate brand of TV cricket. But, with an
                         average over length of only 188 seconds, the screen action is positively frenetic
                         by earlier standards.
                           Goldlust (1987) also carried out a limited empirical study of the different
                         forms of sports television by performing comparative visual component
                         and shot analyses of tennis, baseball and football in the USA and cricket in
                         Australia. Goldlust, like the aforementioned writers, operated with the:
                           somewhat artificial, but still meaningful, distinction between an emphasis
                           on commercial  entertainment values best represented by the American
                           networks and  journalistic values emphasizing accuracy and  ‘objective’
                           reporting of events that has become the established ethos within the BBC
                           and a significant element of its institutional self-image.
                                                                        (Goldlust 1987: 98)

                         While Goldlust did not perform any quantitative analysis of British sports
                         television, recording only ‘his impression that the distinction would still hold’
                         (p. 100) on the basis of viewing British TV soccer for three weeks on both the
                         public BBC and the commercial channels (and  finding that the average shot
                         length in West German TV coverage of the 1974 soccer World Cup was almost
                         double that of the BBC), he found general evidence of a move towards ‘a “high
                         tech” form of  “snap, snap” television typified by contemporary American
                         network coverage of sports’ (p. 100).
                           Of course, variations in the structure and form of very different sports like
                         tennis and American football impose constraints on how television will cover
                         them (for example, the average length of a segment from the Masters tennis
                         match sampled was over twice that of the Super Bowl), and there are cultural
                         variations of various kinds – the amount of commentary ‘hype’ tolerated, the
                         quantity of background information provided, and so on. Gordon and Sibson
                         (1998) have also shown in their comparative analysis of US and Australian
                         television coverage of the 1996 Atlanta Olympics that there are perceptible
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