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114  •  Sport, Media and Society

            like the players [the magazine] celebrates’. The literary writing style that prevailed
            throughout the magazine could be understood as part of an indirect address to this
            well-educated, middle-class, female reader, who would be comfortable with sophis-
            ticated language constructions.

               So, while the magazine sought to appeal to a specific group of female readers,
            it attempted to do so by flattering women, rather than by identifying with them.

            For example, the editor’s letter (Tilley 2004: 13) began with a quote from Margaret
            Thatcher: ‘if you want something said, ask a man. If you want something done ask a
            woman.’ The column, written by a man, then discussed the various types of women
            who were involved in the production of the magazine. This slightly patronising tone

            achieved a further distancing of the writer from golfing women among its readership
            and workforce, whilst effectively interpellating them as politically conservative by
            praising Thatcher’s bon mots.

               The various contributors to the magazine were profiled on the page facing the edi-
            tor’s letter. They included one female golfer, a collection of male golf writers from

            various newspapers, non–golf specialists in sport, health and fitness and a fashion
            photographer. The biographical detail was written in a joking, tongue-in-cheek style,
            as if sharing a joke. For example, the magazine’s New York–based fashion photog-
            rapher was considered to ‘still be having the full New York experience’ despite not
            possessing a cat, a little dog or a bathtub in her kitchen. The tone indicated an attempt
            to express a shared cultural understanding which included, but also went beyond, the
            golf world.



            Golf, Consumption and Femininity

            An attempt to construct a broad address to women interested in playing golf and the
            lifestyle associated with golf continued throughout the features. The magazine’s use
            of banter sometimes countered the seriousness of sport. For example, an overview
            of different types of grass to be found on a golf course was presented in a humorous
            manner, mixing technical information with jokes about losing the ball or blaming
            the grass for a bad putt. The profiles of golfers within the magazine covered a range

            of different ages and levels of experience from amateur to professional, including
            Michelle Wie, Annika Sorenstam, Kathy Choi-Rogers, Hilary Lunkes, Betsy King
            and Patricia Meunier-Lebouc. More explicit lifestyle-focused articles included one

            profiling different golf shoes, one on a disc Frisbee vacation package, another on
            golf dating on the Internet and one titled ‘Summer Stuff’, which highlighted the lat-
            est golfing gear, including sunglasses, gloves and clubs, golf carts, covers, clothing

            and golf bags. Golf’s associations with wealth and luxury underpinned these articles.
            For example, an article called ‘Teefany’s’ focused on designer golf-themed items
            available at Tiffany’s. The reader is thus addressed as belonging to an upper income
            band. So, while there are references to more modest lifestyles (e.g. an item on ‘cross
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