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172  •  Sport, Media and Society

            Intertextuality


            The form of organising text that is characteristic of the Internet, known as hyper-
            text, allows for this high degree of intertextuality. In traditional media, ‘demarcation
            lines between texts are easily drawn’ (Mautner 2005: 818), but hypertext links create
            intertextuality and render Web sites borderless. Hypertext is, therefore, one of the
            Internet’s most important features. Landow (2001: 99) described hypertext as ‘text
            composed of blocks of words (or images) linked electronically by multiple paths,

            chains, or trails in an open-ended, perpetually unfinished textuality described by the
            terms link, node, network, web and path’.
               Landow (2001) observed that this organisation of text matches exactly that con-
            ceived of by Barthes (1974) as an ideal ‘writerly’ text, the antihierarchical open text
            where readers are able to make their own meanings, rather than being restricted in
            their capacity for interpretation by the structure of the text. The nonsequential, in-
            teractive hypertext allows the user to make choices, creating his or her own trail of
            knowledge.

            Multilinearity


            Critics such as Landow (2001) have suggested that the open architecture of the In-
            ternet accords with the desire of poststructuralist philosophy to decentre meaning
            and embrace multilinearity. The development of hypertext foregrounded users’ ca-
            pacity to modify the text, changing fonts, making annotations, choosing their own
            route. Laurel (2001: 110) has argued that it is possible to compare computer users
            to theatrical audiences, but they are ‘like audience members who can march up onto
            the stage and become various characters, altering the action by what they say and
            do in their roles’. Of course, this means that the user ceases to be, in fact, a passive
            observer of the performance provided by the computer, and instead becomes an actor
            in his or her own right. As a medium, then, the Internet gives users unprecedented
            agency, encouraging critics like Rowe (2004a: 204) to augur the transformation of
            ‘the passive sports media consumer’ into an ‘all powerful media auteur’.


            Multivocality

            An internet text constructed out of an interaction of multiple voices is the encyclopae-
            dia Web site Wikipedia (http://en.wikipedia.org). Wikipedia describes itself as being
            written collaboratively by volunteers from all over the world. In addition to writing,
            users can, and are encouraged to, edit existing pages. Links to other pages are placed
            throughout articles so that pathways through the encyclopaedia are individualised to
            the search requirements of users. In doing so, users are constantly shifting the centre
            or focus of their investigation. In many ways, therefore, Wikipedia is an example of
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