Page 111 - Critical Dialogues in Cultural Studies
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STUART HALL, CULTURAL STUDIES AND MARXISM 99

            events of 1989, any continuing claim to be considered a correct, or even a
            useful,  way  of  analysing  the  world.  A  full  discussion  of  that  topic  would
            take  us  well  beyond  the  scope  of  this  chapter.  If  one  holds,  as  does  the
            present  author,  that  the  fall  of  stalinism  provided  an  opportunity  to  free
            marxism  from  a  crippling  distortion  and  to  develop  it  anew,  then  clearly
            the  increasing  distance  between  cultural  studies  and  marxism  is  a
            retrograde move.
              The  second  question  is  more  limited.  It  involves  asking  whether
            abandoning  the  problem  of  determination,  which  formed  the  substantial
            content of the move away from marxism, has strengthened cultural studies
            or not. The concern with the ways in which material life and culture were
            deeply  interwoven  was  not  unique  and  original  to  cultural  studies.  Quite
            apart from marxism, it was also part of the theoretical programme, if not
            necessarily  the  critical  practice,  of  F.R.Leavis  and  his  school.  Leavis,
            famously, had no time at all for any kind of marxism. Nevertheless, for him
            and his associates, the kinds of literature and the kinds of life prevailing in
            a  particular  epoch  were  necessarily  connected.  The  problem  of
            understanding  the  determination  of  culture  was  the  central  concern  of
            cultural studies long before the decisive encounter with marxism.
              In  abandoning  the  effort  to  understand  this  very  difficult  problem,
            cultural studies is changing the object of its enquiries in a fundamental way.
            It is regressing beyond Hoggart and Williams, beyond the Leavises and the
            British  marxists,  to  an  essentially  textualist  account  of  culture.  The  only
            thing which now seems to distinguish cultural studies from literary studies
            is that the former has a rather wider range of texts from which to choose.
            This seems to me a fundamentally regressive step.
              Fortunately,  the  above  account  need  not  be  taken  as  the  final  and
            definitive  word  upon  marxism  and  cultural  studies  in  general.  It  is,  for
            example,  possible  to  tell  a  different  story,  with  a  very  different  ending,
            by following through the intellectual development of Raymond Williams.
            The development of his thought retains and even amplifies the materialist
            inspiration of the first phase of cultural studies and certainly provides an
            opening for a continuing engagement with marxism. A critical recovery of
            that  interpretation  of  cultural  studies  would  mean  a  new  lease  of  life  for
            the relationship between marxism and cultural studies.
              The  task  of  this  recovery  would  be  to  complete  the  project  of  cultural
            studies rather than to bury it. In the first issue of New Left Review, rightly
            claimed  by  Stuart  Hall  as  a  key  element  in  the  formation  of  cultural
            studies, there is a record of the first meeting between Richard Hoggart and
            Raymond  Williams.  In  the  course  of  the  discussion  of  the  problems  their
            work raised, Williams remarked:

              The  most  difficult  bit  of  theory,  that  I  think  both  of  us  have  been
              trying to get at, is what relation there is between kinds of community,
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