Page 244 - Critical Dialogues in Cultural Studies
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232 STUART HALL

            and  deskilled  work  patterns  approximate  more  to  some  post-Fordist
            patterns. Motor cars, from which the age of Fordism derived its name, with
            its  multiple  variations  on  every  model  and  market  specialization  (like  the
            fashion  and  software  industries)  is,  in  some  areas  at  least,  on  the  move
            towards a more post-Fordist form. The question should always be, where
            is the ‘leading edge’ and in what direction is it pointing.

                              THE CULTURAL DIMENSION

            Another  major  requirement  for  trying  to  think  through  the  complexities
            and ambiguities of New Times is simply to open our minds to the deeply
            cultural  character  of  the  revolution  of  our  times.  If  ‘post-Fordism’  exists,
            then it is as much a description of cultural as of economic change. Indeed,
            that  distinction  is  now  quite  useless.  Culture  has  ceased  (if  ever  it  was—
            which  I  doubt)  to  be  a  decorative  addendum  to  the  ‘hard  world’  of
            production  and  things,  the  icing  on  the  cake  of  the  material  world.  The
            word  is  now  as  ‘material’  as  the  world.  Through  design,  technology  and
            styling,  ‘aesthetics’  has  already  penetrated  the  world  of  modern
            production. Through marketing, layout and style, the ‘image’ provides the
            mode of representation and fictional narrativization of the body on which
            so  much  of  modern  consumption  depends.  Modern  culture  is  relentlessly
            material in its practices and modes of production. And the material world
            of  commodities  and  technologies  is  profoundly  cultural.  Young  people,
            black and white, who can’t even spell ‘postmodernism’ but have grown up
            in  the  age  of  computer  technology,  rock-video  and  electronic  music,
            already inhabit such a universe in their heads.
              Is  this  merely  the  culture  of  commodified  consumption?  Are  these
            necessarily Trivial Pursuits? (Or, to bring it right home, a trendy ‘designer
            addiction’  to  the  detritus  of  capitalism  which  serious  left  magazines  like
            Marxism  Today  should  renounce—or  even  better  denounce—forever?)
            Yes, much—perhaps, even most—of the time. But underlying that, have we
            missed the opening up of the individual to the transforming rhythms and
            forces of modern material life? Have we become bewitched by who, in the
            short run, reaps the profit from these transactions (there are vast amounts
            of it being made), and missed the democratization of culture which is also
            potentially part of their hidden agenda? Can a socialism of the twenty-first
            century revive, or even survive, which is wholly cut off from the landscapes
            of  popular  pleasures,  however  contradictory  and  ‘commodified’  a  terrain
            they represent? Are we thinking dialectically enough?
              One strategy for getting at the more cultural and subjective dimensions of
            New  Times  would  be  to  start  from  the  objective  characteristics  of  post-
            Fordism and simply turn them inside out. Take the new technologies. They
            not only introduce new skills and practices. They also require new ways of
            thinking. Technology, which used to be ‘hard-nosed’ is now ‘soft’. And it
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