Page 62 - Harnessing the Management Secrets of Disney in Your Company
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You Better Believe It                  43

        With brilliant foresight, Disney decided on a re-release policy that would bring
        his movies to a new generation of viewers at 5- and 10-year intervals. But again,
        Walt’s prescience was dependent on his adherence to core values. He intended
        his movies to last—and last they did, because he insisted on excellence.
            Disney’s cartoons and animated films look as fresh today as when Walt’s
        animators created them. That’s because he paid attention to even the small-
        est detail of production and combined the most skillful drawings with the
        best available technology. At a time when many animators were using 6 to
        8 drawings per second, for instance, Disney insisted on 24 drawings. (All
        animation went to 24 frames per second with the advent of sound, but the
        superiority of the Disney technique can be better understood by comparing
        it to today’s average Saturday morning cartoon. Even though these cartoons
        run 24 frames per second, they use only 6 to 8 drawings per second, which
        means the same drawing is repeated three to four times. Disney animation
        provides 24 unique drawings per second.)
            Equally important to Walt’s long-term planning was the fact that he
        never lost sight of his market and the family values that endure. Re-released
        Disney films have made as much, if not more, money on their second release
        than they did on the first.
            Today, The Walt Disney Company applies the same policy to the DVD
        market. When a Disney movie is released on DVD, it stays on the store shelf
        for six months and is then withdrawn for a specified period. People who don’t
        buy it during the Disney-designated time frame simply have to wait until the
        next time it’s back on the shelf. Tightly controlling distribution allows Disney
        to market its product over and over to succeeding generations of viewers. Since
        1992, according to Video Store Magazine, six of the eight top-selling videos
        were Disney videos, with Snow White and the Seven Dwarfs and The Lion King
        tied for number 1.
            The long-term mentality is apparent throughout the Disney empire—in
        its real estate transactions, for example. Although Walt was never interested
        in real estate as a personal investment, he took a wholly different approach
        when it came to his theme parks. And his experience with Disneyland only
        served to harden an already instinctual tendency to take the long view.
            In 1954, when Walt bought the 160-acre Anaheim, California, parcel
        for Disneyland, he was constrained from acquiring additional land by limited
        financial resources, the already heavy debt he was incurring, and estimates
        of what it would cost to build his park. But Walt never ceased to regret not
        buying more land, especially as his extraordinarily successful park became
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