Page 118 - The Disneyization of Society
P. 118

PERFORMATIVE LABOUR



                    develop a sense of humor and a genuine interest in people. If nothing else helps, remember that
                    you get paid for smiling. 24
                                                                                              109
                   Cast members must display emotional labour even in the face of difficult guests.
                   One cast member of eight years told a reporter: ‘We get daily abuse from
                   customers but you have to keep on smiling. We’re supposed to make eye
                   contact, greet each and every guest and smile for eight hours. If you don’t you get
                   reprimanded.’ 25
                    It was not quite like this at the beginning however. In Disneyland’s very early
                   days, Walt was appalled by the behaviour of some of the park’s staff toward visi-
                   tors. The staff, many of whom had been hired by lessees, lacked training and were
                   gruff and unhelpful towards visitors. Such behaviour was unacceptable to Walt
                   who wanted to create an environment where people could forget the outside
                   world and their troubles and be immersed in a magical experience. Unhelpful and
                   discourteous behaviour are found abundantly in the outside world and therefore
                   undermined the kinds of impressions he wanted to create. The only employees
                   who exhibited the kind of behaviour Walt wanted were the attraction operators
                   who had been trained by the company itself. According to Randy Bright, a Disney
                   Imagineer: ‘What Walt really wanted were employees with a ready smile and a
                                                                       26
                   knack for dealing pleasantly with large numbers of people’. Walt told cast mem-
                   bers that they should ‘always smile’ and that they should ‘turn the other cheek to
                                               27
                   everybody, even the nasty ones’. The Disney University was created precisely in
                   order to inculcate the demeanour that Walt wanted to engender. According to the
                   founder of the Disneyland University, one of the central elements of the early
                   training approach was to introduce the principle that ‘[i]n addition to a “friendly
                   smile”, we sold the importance of “friendly phrases”’. 28  Since then, Disney has
                   developed seminars which introduce executives from a variety of organizations to
                                                                    29
                   its distinctive approach to human resource management and has publicized this
                   approach more generally. 30  These seminars may have been instrumental in the
                   further diffusion of this aspect of Disneyization. Moreover, a number of manage-
                   ment texts have emphasized this ingredient of the success of the Disney theme
                        31
                   parks. Disney itself uses its training programme, which employs videos and talks
                   on Disney’s past and traditions, to secure commitment to the company and its
                   values. Such a commitment is likely to facilitate emotional labour. As the then
                   director of Disney’s three-day training seminars for business executives from other
                   companies points out: ‘You can’t force people to smile. Each guest to Disney
                   World sees an average of 73 employees per visit, and we would have to supervise
                   them continually. Of course, we can’t do that, so instead we try to get employees
                   to buy into the corporate culture.’ 32  Similar approaches to training are common
                   at large companies like McDonald’s and Nike. 33
                    Needless to say, the manifestations of emotional labour are sometimes repudi-
                   ated in that behaviour inconsistent with Disney principles of how cast members
                   should act is exhibited, as a number of commentators have observed. 34  However,
   113   114   115   116   117   118   119   120   121   122   123