Page 53 - The Disneyization of Society
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THE DISNEYIZATION OF SOCIETY



                   These themes are equally prominent in zoos’ websites. For example, Chester Zoo’s
                   opening page cites the following as its mission:
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                     The role of the zoo is to support and promote conservation by breeding threatened species, by
                     excellent animal welfare, high quality public service, recreation, education and science. 110

                   It is not surprising that conservation at this zoo is especially prominent in its web
                   pages.
                     Unsurprisingly, the motifs of species conservation plus education are major
                   components of Disney’s Animal Kingdom’s  raison d’être too. Disney say that:
                   ‘inspiring a love of animals and concern for their welfare is the underlying theme,
                   both subtle and obvious, throughout the Animal Kingdom’. 111  This remark nicely
                   side-steps the fact that one of its lands is sponsored by McDonald’s and the park
                   itself sells vast quantities of steaks, burgers, hot dogs and nuggets and is built on
                   former wetlands. However, its director of animal operations, who was lured from
                   the famous San Diego Zoo, has stated that he would not have taken on the task
                   unless he was ‘sure Disney was a 100 per cent committed to conservation’. 112
                     This growing unease about the use of the depiction ‘zoo’ and the substitution
                   of alternative terms stressing conservation and education are in themselves com-
                   ponents of the turn towards theming. However, it has to be acknowledged that
                   some commentators are sceptical about the application of narratives of education,
                   science and species conservation. 113  Nevertheless, the theming of zoos in terms of
                   these master narratives is a continuing process, as is the internal theming of the
                   zoo in terms of regions, species types, and so on. Of course, these two processes
                   usually coincide. Busch Gardens in Tampa, which began life as a zoo adjacent to
                   a brewery (owned by Anheuser-Busch, the then and current owners of the park),
                   has been described as ‘a theme park, with an African motif largely submerged into
                   a naturalist-environmentalist theme’. 114  At many zoos, the theming of areas or
                   attractions within their grounds has gone hand in hand with the introduction of
                   the conservation theme.



                                                 Theming of place

                   This section deals with two related forms of theming. They are both concerned
                   with the notion of place and with the role that theming plays in creating a sense
                   of place. The emphasis will be placed primarily on the creation of place in con-
                   nection with tourism. One way in which we can talk about the theming of place
                   is in relation to the use of cultural narratives to create a sense of place. This occurs
                   when a place is themed in terms of its association with well-known or striking cul-
                   tural products or events. The second sense is a more internalist theming which
                   takes as its starting point features that are intrinsic qualities of a place or at least
                   are commonly regarded as such. With this second sense, the theming of place
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