Page 58 - The Disneyization of Society
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THEMING



                   criticism of the school from which a great deal had been anticipated by residents. 137
                   Other New Urbanist developments include: Rosemary Beach, WaterColor, and
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                   Windsor in Florida; Kentlands, Maryland; Mashpee Commons, Cape Cod; Fort
                   Mill, South Carolina; and DuPont, Washingon. Views about New Urbanist devel-
                   opments vary considerably. Some see them as models of future suburban devel-
                   opment which will give people back the sense of community and civic life that
                   sprawling suburbs and the motor car took away. Critics see them as exclusionary
                   because they are most likely to be accessible and appealing to the white middle
                   class and because they essentially ignore the problems of American cities by cre-
                   ating enclaves that turn a blind eye to what is going on in the wider world. Still
                   others decry the reliance on a sentimental nostalgia as the route to suburban
                   redemption. 138
                    New Urbanist towns are themed in that they are based on a narrative of nos-
                   talgia for both an era and a style of living in towns that projects a sense of other-
                   ness on the urban and suburban landscape in which most Americans live. In
                   addition, in some cases the housing styles are themed too in the sense that a lim-
                   ited range of housing prototypes is specified and these draw on external narra-
                   tives. At Rosemary Beach in Florida, the house style prototypes are based on
                   Caribbean and early Spanish Florida styles. In Celebration, there are six housing
                   styles: Classical; Victorian; Colonial Revival; Coastal; Mediterranean; and French.

                                                   Museums


                   Theming in museums can be seen most notably in the surge of specialist museums
                   that can be viewed as examples of theming. In a sense, museums have always
                   been themed, but as museums have proliferated and become increasingly special-
                   ized, they have looked more and more like themed institutions. Concerning
                   England, Urry has written: ‘Some apparently unlikely museums are the pencil
                   museum in Keswick, a museum of the chemical industry in Widnes, various
                   Holocaust museums, a dental museum in London, and a shoe museum in Street
                   [in Somerset]’. 139  His list by no means ends there. Other museums include: a
                   colour museum in Bradford in Yorkshire; a Greater Manchester Police Museum; a
                   Guinness Museum in Dublin; the International Spy Museum in Washington DC;
                   and the Museum of Sex in New York. In addition, as Gottdiener points out, many
                   of the more eclectic museums have special exhibitions which draw upon general
                   themes. 140
                    It is also relevant to this discussion that as many commentators have observed,
                   the distinction between theme parks and museums has increasingly become
                   blurred, a trend which has contributed to the growth in the theming of museums.
                   In Japan, the gaikoku mura (foreign country villages) which were built following
                   the opening of Tokyo Disneyland have elements of both a museum and theme
                   park. As one commentator puts it:
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