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236                         Afterword








































                    180° WEDDING DAY

                       One early example of my use of these tools was on my wedding day.
                    A mere 20 years old, and my bride, Audrey, even younger, we exhib-
                    ited clear 180° Thinking in choosing the setting for our official wed-
                    ding album photos.
                       I figured, “Hey, everybody shoots their wedding pictures at a park
                    or in a garden, always someplace serene and beautiful. So why not do
                    something at the far other end of the spectrum?” (I had not yet
                    unveiled the term 180° Thinking.) “Why not go to a dump?”
                       Well, thankfully, I didn’t go with my first idea and we didn’t go to a
                    dump to take the photographs that were to document this most impor-
                    tant day. We went to a salvage yard.
                       The National Wrecking Company in Pawtucket, Rhode Island,
                    became the canvas upon which we asked our friend and soon-to-be-
                    brother-in-law Jon McNally to capture the spirit of this special day.
                    The various backdrops, besides the old furnace section of the salvage
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