Page 98 - The Handbook of Persuasion and Social Marketing
P. 98

Persuasion in the Political Context                                 91

                  frame. This is a remembered framework to be adapted to fit reality by
                  changing details as necessary (p. 355).

                  Creating a frame for interpreting a given situation is the first step in effec-
               tive persuasion. It consists of mentally construing a representation of an
               object or event on the basis of the memory schemata that have been formed
               based on previous relevant experiences. This construed representation cre-
               ates a delusive reference to a real object or event that existed or happened as
               a matter of fact. In the realm of perception, framing can be illustrated by
               ambiguous or reversible figures, which offer a chance for individuals to ex-
               perience how such figures are perceived based on the experiences recorded
               in their memories (Long & Toppino, 2004). The phenomenon of ambigu-
               ous figures shows how easy it is to persuade someone to believe in the “fac-
               tuality” of an object or event, as long as what the individual experiences
               agrees with that person’s memory schema. A person can have many such
               schemata; hence, multiple interpretations of the same event are possible.
               The problem of persuasion consists of activating precisely the schema that
               will trigger the desired behavior in a person who experiences a given event.
                  Minsky’s classical conception of framing (1977) laid the ground for re-
               search in cognitive processes regarding perception, memory, and concep-
               tual thinking. This conception is at the core of the definitions of framing
               used in the field of political persuasive messaging. According to Entman
               (2007, p. 164), framing is the “process of culling a few elements of per-
               ceived reality and assembling a narrative that highlights connections
               among them to promote a particular interpretation.” As defined by Gamson
               and Modigliani (1987, p. 143), framing is “a central organizing idea or
               story line that provides meaning to an unfolding strip of events, weaving a
               connection among them. The frame suggests what the controversy is about
               and the essence of the issue.” Frames, as Altheide (1997, p. 651) stated,
               “are the focus, a parameter or boundary, for discussing a particular event.
               Frames focus on what will be discussed, how it will be discussed, and
               above all, how it will not be discussed.” Druckman and Nelson (2003)
               stated specifically that framing effects occur when in the course of describ-
               ing an issue or event, an emphasis on a subset of potentially relevant con-
               siderations causes individuals to focus on these considerations when
               constructing their opinions. Therefore, at a general level, the concept of
               framing refers to subtle alterations in the statement or presentation of
               judgments or choice problems, and, as Iyengar (1991) emphasized, fram-
               ing effects refer to changes in decision outcomes resulting from these al-
               terations. In contrast, Chong and Druckman (2007a) claimed that every
               issue can be seen from a number of perspectives. Consequently, the
   93   94   95   96   97   98   99   100   101   102   103