Page 127 - The Master Handbook Of Acoustics
P. 127

102   CHAPTER FIVE





                       Kilocycles  harmonic  number



                        16
                     7
                        14
                     6
                        12
                     5
                        10
                     4
                         8
                     3
                         6
                     2
                         4
                     1
                         2
                     0
                                 Flute      Clarinet     Oboe       Trumpet    Trumpet      Violin
                                                                              mouthpiece
                                                    Tone: middle A (440 cycles)
                    FIGURE 5-10

                   Spectrogram comparison of the harmonic content of woodwind instruments and the violin as middle A (440
                   Hz) is played. The differences displayed account for the difference in timbre of the different instruments.
                   AT&T Bell Laboratories.

                                   above the ambient background noise in the hall, hence the emphasis
                                   on adequate structural isolation to protect against traffic and other out-
                                   side noises, and precautions to ensure that air-handling equipment
                                   noise is low.
                                      For those not present in the music hall, AM or FM radio, television,
                                   magnetic recordings, or disc recordings must suffice. These conven-
                                   tional media are unable to handle the full dynamic range of the orches-
                                   tra. Noise at the lower extreme and distortion at the upper extreme
                                   introduce limitations. In the case of broadcast media, there are the
                                   added regulatory restrictions prohibiting interference with adjacent
                                   channels.
                                      Digital audio has brought some major revisions of our thinking in
                                   regard to dynamic range and signal-to-noise ratio. The dynamic range
                                   in a digital system is directly related to the range of binary digits (bits).
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