Page 237 - The Master Handbook Of Acoustics
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212   CHAPTER NINE



                                   feature will become more apparent as the actual acoustical design of
                                   listening rooms and studios is approached.

                                   Poly Construction


                                   The construction of polycylindrical diffusers is reasonably simple. A
                                   framework for vertical polys is shown in Fig. 9-26 mounted above a
                                   structure intended for a low-frequency slat absorber. In this photo-
                                   graph the variable chord dimensions are apparent, and also the ran-
                                   dom placement of bulkheads so that cavities will be of various
                                   volumes resulting in different natural cavity frequencies. It is desir-
                                   able that each cavity be essentially airtight, isolated from adjoining
                                   cavities by well-fitted bulkheads and framework. Irregularities in the
                                   wall can be sealed with a nonhardening acoustical sealant. The bulk-
                                   heads of each poly are carefully cut to the same radius on a bandsaw.
                                   Sponge rubber weatherstripping with an adhesive on one side is
                                   struck to the edge of each bulkhead to ensure a tight seal against the
                                   plywood or hardboard cover. If such precautions are not taken, annoy-
                                   ing rattles and coupling between cavities can result.
                                                                                          1
                                                                 The polys of Fig. 9-26 use   8″ tempered
                                                              Masonite as the poly skin. A few hints can
                                                              simplify the job of stretching this skin. In
                                                              Fig. 9-27 slots of a width to fit the
                                                              Masonite snugly are carefully cut along
                                                              the entire length of strips 1 and 2 with a
                                                              radial saw. Let us assume that poly A is
                                                              already mounted and held in place by
                                                              strip 1, which is nailed or screwed to the
                                                              wall. Working from left to right, the next
                                                              job is to mount poly B. First the left edge of
                                                              Masonite sheet B is inserted in the remain-
                                                              ing slot of strip 1. The right edge of
                    FIGURE 9-26                               Masonite sheet B is then inserted in the
                   The construction of polys in a motion picture sound  left slot of strip 2. If all measurements and
                   mixing studio. Note the foam rubber anti-rattle strip  cuts have been accurately made, swinging
                   on the edge of each bulkhead. Also note the random  strip 2 against the wall should make a
                   spacing of the bulkheads. (Moody Institute of Science
                   photo, reprinted with permission of the Journal of the  tight seal over the bulkheads 3 and weath-
                                      21
                   Audio Engineering Society. )               erstripping 4. Securing strip 2 to the wall
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