Page 45 - The Master Handbook Of Acoustics
P. 45

20   CHAPTER ONE



                                                                 There is little visual similarity between
                                                              the sine and the random-noise signals as
                                                              revealed by the cathode-ray oscilloscope,
                     A
                                                              yet there is a hidden relationship. Even ran-
                                                              dom noise can be considered as being made
                                                              up of sine-wave components constantly
                                                              shifting in frequency, amplitude, and
                                                              phase. If you pass random noise through a
                     B
                                                              narrow filter and observe the filter output
                                                              on a cathode-ray oscilloscope, you will see
                                                              a restless, sinelike wave that constantly
                                                              shifts in amplitude. Theoretically, an infi-
                                                              nitely narrow filter would sift out a pure,
                     C
                                                              but nervous, sine wave. (See chapter 5.)


                                                              Electrical, Mechanical, and
                    FIGURE 1-16
                                                              Acoustical Analogs
                   In synthesizing the square wave of (A), including
                   only the fundamental and two harmonics yields (B).  An acoustical system such as a loud-
                   Including fifteen components yields (C). It would  speaker can be represented in terms of an
                   take many more than fifteen harmonics to smooth
                   the ripples and produce the square corners of (A).  equivalent electrical or mechanical sys-
                                                              tem. The physicist freely uses these equiv-
                                                              alents to set up his mathematical approach
                                   for analyzing a given system. Although such approaches are far out-
                                   side the scope of this book, it is useful to develop some appreciation
                                   for these methods. For example, the effect of a cabinet on the func-
                                   tioning of a loudspeaker is clarified by thinking of the air in the
                                   enclosed space as acting like a capacitor in an electrical circuit,
                                   absorbing and giving up the energy imparted by the cone movement.
                                      Figure 1-17 shows the graphical representation of the three basic
                                   elements in electrical, mechanical, and acoustical systems. Inductance
                                   in an electrical circuit is equivalent to mass in a mechanical system
                                   and inertance in an acoustical system. Capacitance in an electrical cir-
                                   cuit is analogous to compliance in a mechanical system and capaci-
                                   tance in an acoustical system. Resistance is resistance in all three
                                   systems, whether it be the frictional losses offered to air-particle move-
                                   ment in glass fiber, frictional losses in a wheel bearing, or resistance to
                                   the flow of current in an electrical circuit.
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