Page 210 - The New Articulate Executive_ Look, Act and Sound Like a Leader
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DEALING WITH THE MEDIA                201

           taxes.” Or you could simply say, “Eight out of ten Americans say
           they support the measure.”

           Cite your personal experience.  Whenever possible, draw on your
           own eyewitness recollections. There is no substitute for actually hav-
           ing been there. For example: “People complain about bureaucracy
           and how they never seem to get anything done. But in the three
           years I spent in local government, I saw more projects completed
           than in the previous twenty years spent in a big corporation.”

           Defuse loaded questions.  Techniques for doing this include: (a) dis-
           agreeing with the loaded premise (“I don’t agree with your charac-
           terization of American managers”), (b) recognizing that some people
           may agree with the loaded premise (“It may be true that some people
           feel the way you do, but . . .”), or (c) bridging immediately to your
           position (“It may be true that some people feel the way you do, but
           most people fail to consider that . . .”).

           Don’t be afraid to change your mind.  It’s OK to change your mind.
           More than one major reversal in a lifetime is probably too often, but
           we should feel free to change our minds about issues as the circum-
           stances surrounding those issues change. Robert McNamara, the
           former secretary of defense under Presidents John F. Kennedy and
           Lyndon Johnson, and chief architect of America’s aggressive mili-
           tary involvement in Vietnam, changed his mind. Years later, McNa-

           mara finally admitted he had been wrong in Vietnam and wrote a
           book about it. A change of heart can signal fl exibility and open-
           mindedness, so admit when you’ve changed your mind and be pre-
           pared to explain why.

           Assume the microphones are always “hot”—even before and after
           the show, or during commercials.  This means don’t say anything
           you wouldn’t be comfortable saying on the air or having immortal-
           ized on tape. No one wants to become part of a “blooper” reel.
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