Page 166 - Cultural Studies Dictionary
P. 166

PHALLOCENTRIC



              that is consulted and invoked. This is an appeal to an authority that has no origin
              or universal foundations. Indeed, the very practice of citation produces the
              authority that is cited and reconstitutes the law. The maintenance of the law is a
              matter of re-working a set of already operative conventions and involves iterability,  143
              repetition and citationality.
                 Though Austin originated the idea of a performative in 1962, it was Judith Butler
              who popularized the concept of performativity within cultural studies during the
              1990s. In particular, Butler conceives of sex and gender in terms of citational
              performativity. For Butler, ‘sex’ is produced as a reiteration of hegemonic norms, a
              performativity that is always derivative. The ‘assumption’ of sex, which is not a
              singular act or event but an iterable practice, is secured through being repeatedly
              performed. Thus gender is performative in the sense that it constitutes as an effect
              the very subject it appears to express.
                 Butler combines this reworking of discourse and speech act theory with
              psychoanalysis to argue that the ‘assumption’ (taking on) of sex involves
              identification with the normative phantasm (idealization) of ‘sex’. Sex is a symbolic
              subject position assumed under threat of punishment (for example, of symbolic
              castration or abjection). The symbolic is a series of normative injunctions that
              secure the borders of sex (what shall constitute a sex) through the threat of
              psychosis and abjection (an exclusion, throwing out or rejection). Butler goes on to
              argue that drag can destabilize and recast gender norms through a re-signification
              of the ideals of gender. Through a miming of gender norms, drag can be subversive
              to the extent that it reflects on the performative character of gender. Drag suggests
              that all gender is performativity and as such destabilizes the claims of hegemonic
              heterosexual masculinity as the origin that is imitated. That is, hegemonic
              heterosexuality is itself an imitative performance which is forced to repeat its own
              idealizations.
              Links Discourse, identification, identity, psychoanalysis, sex, speech act

           Phallocentric In a general sense, the concept of phallocentric refers to male-centred
              discourse or from the perspective of a privileged masculinity. More particularly, the
              idea has been deployed in reference to the use of the term Phallus within
              psychoanalytic theory where the Phallus is held to be a symbolic transcendental
              universal signifier of the source, self-origination and unifying agency of the subject.
              This is argued to be especially the case in relation to psychoanalysis as developed
              by Lacan.
                 For its critics, the phallocentric character of psychoanalysis follows from Freud’s
              assertion that women would ‘naturally’ see their genitals as inferior in tandem with
              the claim that genital heterosexual activity that stresses masculine power and
              feminine passivity is the normal form of sexuality. Further, in Lacan’s reworking of
              Freud, the Oedipal moment marks the formation of the subject into the Law of the
              Father, and thus entry into the symbolic order itself. That is, the power of the
              Phallus is understood to be necessary to the very existence of subjects. For Lacan,
              the symbolic Phallus:
   161   162   163   164   165   166   167   168   169   170   171