Page 18 - Cultural Studies Dictionary
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INTRODUCTION



                                  THE DICTIONARY AS TOOLBOX

           This book is centred on a series of concepts that I take to be important to cultural
           studies. Other cultural studies writers will differ about how to deploy these concepts  xvii
           and about which are the most significant. I also recognize that members of the
           cultural studies community may well disagree with my inclusion/exclusion of certain
           ideas. At the same time, I would be very surprised if we could not agree that a good
           deal of the concepts are a necessary part of cultural studies as it is currently
           constituted. I doubt that we would recognize a domain of study that did not include
           certain words – articulation, culture, discourse, hegemony, identity, ideology, popular
           culture, power, representation, sign, subjectivity, texts, to name but a few – as cultural
           studies.
             These are amongst the theoretical concepts that constitute the framework within
           which cultural studies writers understand the world and might carry out empirical
           research and interpret their evidence. Thus it is this theoretical language of cultural
           studies that gives it its distinctive cast. This is a toolbox that is drawn from a number
           of different theoretical streams and methodological approaches that constitute the field.
           Broadly speaking, the tributaries of cultural studies are:

             Ethnography                Feminism                Marxism
             Philosophy of language     Political economy       Postcolonial theory
             Post-Marxism               Poststructuralism       Pragmatism
             Psychoanalysis             Structuralism           Textual analysis

           Consequently, it has always been difficult to pin down the boundaries of cultural studies
           as a coherent, unified, academic discipline with clear-cut substantive topics, concepts
           and methods. However, the problems of definition and disciplinary boundaries are not
           uniquely problematic for cultural studies nor do they pose problems of unique
           complexity. It is just as difficult to achieve this task for sociology, women’s studies,
           physics, linguistics and Buddhism. Thus, in trying to establish sociology as a coherent
           discipline Durkheim instituted a stream of thought that has been influential across time
           and space. Nevertheless, he did not define sociology for all time since this particular
           language-game has mutated and splintered.
             Cultural studies has always been a multi- or post-disciplinary field of inquiry that
           blurs the boundaries between itself and other ‘subjects’. Further, cultural studies has
           been something of a magpie; it has its own distinctive cast, yet it likes to borrow
           glittering concepts from other nests. However, the current vocabulary or toolbox of the
           field suggests that cultural studies is centrally concerned with culture as constituted by
           the signs, meanings and representations that are generated by signifying mechanisms
           in the context of human practices. Further, cultural studies is concerned with the
           construction and consequences of those representations and thus with matters of power
           since patterns of signifying practices constitute, and are constituted by, institutions and
           virtual structures. Here cultural studies is very much concerned with cultural politics.
             Knowledge is not simply a matter of collecting facts from which  theory can be
           deduced or against which it can be tested. That is, `facts’ are not neutral and no amount
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