Page 221 - CULTURE IN THE COMMUNICATION AGE
P. 221

STEPHEN  HINERMAN

                                  The future of celebrity
             There is no escape from the culture of stardom. Famous images meet us on
             buses, in magazines, and on Web pages. Their voices ring out from CDs, radios,
             television sets, and personal computers. We cannot escape them by traveling to
             distant lands or hiding in our homes.
               Despite the growing uniformity of star images worldwide and the money-
             driven services celebrities perform by selling product for global corporations, it
             is unwise simply to condemn stars, the culture industries that promote them,
             and the multitude of fans who love them. We most certainly are not creating a
             world that is devoid of difference, nor are audiences turning into passive con-
             sumers of some predigested media menu. In fact, the diversity of voices, types,
             and ethnicities of stars today, as well as the creative and critical ways that people
             evaluate the performances and lives of their favorite celebrities, make it clear
             that star culture may be pervasive, but is by no means bland or banal.
               Changes  in  the  nature  of  time  and  space  brought  on  by  the  advent  of
             modern  and  postmodern  environments  have  made  identity  formation  today
             particularly  problematic  and  complex.  In  the  global  context,  stars  act  as
             cultural  resources  that  help  audiences  construct  their  identities  and  stable
             selves. To assume that these audiences will automatically ‘misuse’ such symbolic
             resources – turning themselves into unthinking zombies or desperate loners in
             the process – simply ignores the vitality, intelligence, and creativity that people
             bring to cultural enactment. It is time to appreciate the global star culture in
             which we live with an open mind, and to acknowledge the determining roles
             we all willingly play in its tireless creation.


                                       References
             Alberoni, F. (1972). ‘The powerless “elite”: theory and sociological research on the
                phenomenon  of  stars’.  In  D.  McQuail  (ed.),  Sociology  of  Mass  Communications.
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             Aristotle  (1962).  The  Rhetoric  of  Aristotle,  trs.  L.  Cooper.  New  York:  Appleton
                Century-Crofts, Inc.
             Baudrillard, J. (1988). Jean Baudrillard: Selected Works, ed. M. Poster. Cambridge: Polity
                Press.
             Boorstin, D. (1961). The Image: A Guide to Pseudo-events in America. New York: Harper
                and Row.
             Braudy,  L.  (1986).  The  Frenzy  of  Renown:  Fame  and  Its  History.  New  York:  Oxford
                University Press.
             DeCordova, R. (1990). Picture Personalities: The Emergence of the Star System in America.
                Urbana: University of Illinois Press.
             —— (1991).  ‘The  emergence  of  the  star  system  in  America’.  In  C.  Gledhill  (ed.),
                Stardom: Industry of Desire. London: Routledge.
             Donald,  J.  (1985).  ‘Stars’.  In  P.  Cook  (ed.), The  Cinema  Book.  London:  British  Film
                Institute.



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