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Breath, Technology, Making of Community       171

       complex where its 300 communitarian members live and thousands cir-
       culate every week, the premises of radio Canção Nova and TV Canção
       Nova, an audiovisual department called DAVI, a gigantic supermarket
       area called Fundação John Paul II that sells Canção Nova’s media produc-
       tions such as tapes, video sermons, CDs, books, magazines, and clothes,
       various broadcasting studios, two small chapels, a specific area for inter-
       cession and exorcism, and a monastery of the medieval Poor Clares. Apart
       from the main mother house, Canção Nova runs 19 other filial houses
       called casas de missão (mission houses) distributed all over Brazil, four of
       which are within the State of São Paulo, and abroad in the United States,
       in Fátima (Portugal), Rome, and Israel. In 2005, Canção Nova inaugu-
       rated a gigantic gymnasium with a capacity of 70,000. On weekends,
       religious and nonreligious holidays (such as carnival) organized excur-
       sions arrive in Canção Nova from all parts of Brazil and neighboring
       countries. Although Canção Nova is permanently open to visitors, it
       charges an entrance fee of 10 Reais during shows, which normally run
       from Thursday to Sunday. Participants are invited to bring a tent and
       camp in the large lanes of the site. As a community, Canção Nova fash-
       ions, as it were, a town within a town. Apart from the dormitories and the
       refectory, it also owns a medical and dentist post, a primary school for the
       children of the community, a theology school for lay and vocational mem-
       bers, a hotel, a camping area, and even a hairdresser. In the back part of
       the complex, there is a big vegetable garden for the community’s own sup-
       ply extending beyond plain sight toward the Serra.
         Especially since the 1990s, there has been a significant change in the
       town’s human and infrastructure. From a predominantly residential and
       rural town, Cachoeira Paulista is now developing a substantial commercial
       form of economy. Just outside the grounds there are a good number of
       hostels, cafes, and restaurants to cater to the weekly surge of travelers.
       Local residents have also made space in their private condominiums to
       house last-minute pilgrims. Religious merchandisers set up their stalls,
       outside and around the ground’s limits.
         In general, Cachoeira Paulista is well reputed for its many natural flu-
       vial systems. Being one of the countries with the highest use of hydroelec-

       tric energy worldwide, electricity supplies in Brazil are highly dependent
       on the levels of precipitation provided by seasonal rains. Strikingly, Canção
       Nova uses its watery surroundings to foster the relationship between elec-
       tricity and spirituality, between the energizing power of the “flame of
       Pentecost” and a techno-electronic universe. These overlaps rely on
       emblematic descriptions used by Catholic Charismatics to account for the
       richly somatic experiences of contact with the spirit. They often use
        electricity-derived terms such as “warm voltages,” “radiances,” or “impulses”
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