Page 189 - Aesthetic Formations Media, religion, and the Sense
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174               Maria José A. de Abreu

       Canção Nova’s spaces of celebration. As prefabricated hangars, these spaces
       express adapt traditional church furnishing to gym-like arenas. The wired
       fence that encircles the entire camp adds a new layer to the open-ended
       architecture of the place as those on both sides are able to see through to
       the other. In Canção Nova one is never exactly outside or inside. Entering
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       Canção Nova is to enter the province of the middle.  Space is delimited by
       a boundary that is at once everywhere and nowhere. Its beginnings and
       endings, outsides and insides are interconnected in ways that exclude any
       foundation upon which a community, imagined or constructed, could be
       solidly framed.



                   Navigating through the Field

       Padre Jonas was a native priest who, nevertheless, wanted to use televange-
       lism. But he also was baptized in the Spirit who needed to conciliate his
       peers’ objections to televangelism while tuning into the economic aspirations
       of largely upper middle-class Catholics who felt rejected by Brazilian Catholic
       liberationists. Well-to-do CCRs strongly resented Liberation Theology’s
       alleged “preference for the poor.” It seemed to them a contradiction in terms,
       and an altogether unchristian attitude, that Liberation Theology fought for
       the socially excluded while excluding others spiritually.
         At the same time, however, the CCR also came out as a critic to the
       Church’s excessive control over sacred means, its hierarchies, and media-
       tions. They argued for a more democratized distribution of charismatic
       power and proclaimed that the body rather than still imagery ought to be
       the site of sacred power (de Abreu 2002, 240–258). In order to become a
       Charismatic one needed to be open and attune oneself to the transparent
       and unmediated touch of the Spirit. Conceived in this way, Padre Jonas
       envisioned media technology not as a medium that would mediate a cer-
       tain doctrine—for that would undermine the very attempt to refute medi-
       ation in favor of immediacy—but as an entity that could be identified with
       the direct and immediate claims underscored by the Spirit of Pentecost. As

       a weak agent in the market, Padre Jonas had to adopt a kind of guerrilla
       warfare, build flexibility into his moves, so as to be able to quickly change
       tactics. The issue was less to predict than to be able to absorb change.
       Especially in the early years, Padre Jonas carefully avoided the possibility
       of predatory remarks. First, by staying away from a direct confrontation
       vis-à-vis the main forces of competition; second, by gradually moving
       within the structure toward the more murky zone of a decentered center.
       That meant finding the fine balance between left and right, and once
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