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        Quoted in Bunuel, L. and Dali, S. (1994) Un Chien Andalou. London: Faber and Faber, xxvi.
        From 'The Surrealist Conception of Sexual Freedom', in Le Surréalisme au Service de la Revolution, No .2, quoted in
     6  5   Durgnat, R. (1967) Luis Bunuel. London: Studio Vista,  13.
        Nadeau, M. (1978) The History of Surrealism. Middlesex: Penguin Books, 305.
      7   Adorno, T, Benjamin, W, Bloch, E., Brecht, B., Lukacs, G. (1992) Aesthetics and Politics. London: Verso, 36.
     8   Zizek, S. (2002) The Sublime Object of Ideology. London: Verso, 203.
        Krysko,  W.  W,  'I  Chose  the  Truth'  (unpublished  memoir),  quoted  in  Thomas,  D.  M.  (1999)  Alexander
                            9
        Solzhenitsyn: A Century in his Life. London: Abacus, 38.
      10 Glasser, R. (1999) Gorbals Trilogy. London: Lomond Books.
      11 Siegel, P. (1970) Leon Trotsky on Literature and Art. New York: Pathfinder Press, 121.
      12 Ibid.,  118.
      13 Camacho, E., Perez Bazo, J., Rodriguez Blanco, M. (2001) Bunuel: 100 Years. New York: Instituto Cervantes/
        The Museum of Modem Art,  62.
      14  Siegel 1970: 118-19.
      15  Camacho et al. 2001: 52.
      16  Williams, L. (1981) Figures of Desire: A Theory and Analysis of Surrealist Film. London: University of Illinois
        Press,  153.
      17  Halligan, B.  (2002)  'What is the Neo-Underground and What Isn't: A First Consideration of Harmony
        Korine', in
        Mendik,  X.  and  Schneider,  S.  (eds)  Underground  U.S.A.:  Filmmaking  Beyond  the  Hollywood  Canon.  London:
        Wallflower Press, 150-60.
      18 Benjamin, W (1973)  Understanding Brecht. London: New Left Books, 94-5.
     19 Hardt, M., Negri, A. (2001) Empire. London: Harvard University Press, 31.
     20 Ibid.,  34.
     21  See Baudrillard, J. (1995) The Gulf War Did Not Take Place. London: Indiana University Press; and Baudrillard, J.
        (2002) The Spirit of Terrorism. London: Verso






























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