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Quoted in Bunuel, L. and Dali, S. (1994) Un Chien Andalou. London: Faber and Faber, xxvi.
From 'The Surrealist Conception of Sexual Freedom', in Le Surréalisme au Service de la Revolution, No .2, quoted in
6 5 Durgnat, R. (1967) Luis Bunuel. London: Studio Vista, 13.
Nadeau, M. (1978) The History of Surrealism. Middlesex: Penguin Books, 305.
7 Adorno, T, Benjamin, W, Bloch, E., Brecht, B., Lukacs, G. (1992) Aesthetics and Politics. London: Verso, 36.
8 Zizek, S. (2002) The Sublime Object of Ideology. London: Verso, 203.
Krysko, W. W, 'I Chose the Truth' (unpublished memoir), quoted in Thomas, D. M. (1999) Alexander
9
Solzhenitsyn: A Century in his Life. London: Abacus, 38.
10 Glasser, R. (1999) Gorbals Trilogy. London: Lomond Books.
11 Siegel, P. (1970) Leon Trotsky on Literature and Art. New York: Pathfinder Press, 121.
12 Ibid., 118.
13 Camacho, E., Perez Bazo, J., Rodriguez Blanco, M. (2001) Bunuel: 100 Years. New York: Instituto Cervantes/
The Museum of Modem Art, 62.
14 Siegel 1970: 118-19.
15 Camacho et al. 2001: 52.
16 Williams, L. (1981) Figures of Desire: A Theory and Analysis of Surrealist Film. London: University of Illinois
Press, 153.
17 Halligan, B. (2002) 'What is the Neo-Underground and What Isn't: A First Consideration of Harmony
Korine', in
Mendik, X. and Schneider, S. (eds) Underground U.S.A.: Filmmaking Beyond the Hollywood Canon. London:
Wallflower Press, 150-60.
18 Benjamin, W (1973) Understanding Brecht. London: New Left Books, 94-5.
19 Hardt, M., Negri, A. (2001) Empire. London: Harvard University Press, 31.
20 Ibid., 34.
21 See Baudrillard, J. (1995) The Gulf War Did Not Take Place. London: Indiana University Press; and Baudrillard, J.
(2002) The Spirit of Terrorism. London: Verso
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