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Horton, A. J. (1999) 'The Russian Soul Fights Back', Kinoeye 1, 1, 28 July.
35
36
Interview with the author, Kinoeye 2, 2, January 2002, http://www.kinoeye.org/02/02/stojanova02.html
37 Tsivian, Y. (1998) Early Cinema in Russia and Its Cultural Perception (ed. Richard Taylor). Chicago: University of
Chicago Press, 6-7.
38 Bowie 1991: 162.
39 Romney, J. (2000) 'Of Freaks and Men , Sight and Sound, 10, 5, 57.
40 Morris 1985: 299-319.
41 Berdyaev 1992.
42 Dobrotvorsky 1992: 75.
43 Morris 1985: 299-319.
C J H P T E 3 S
1 Lyotard, J. (1993) LibidinalEconomy (trans. I. H. Grant). London: Athlone Press, 20.
2 Balun, C. (1988) 'Review: The Horrible Dr. Hichcock', Deep Red, 5 December, 29.
3 Martin, J. (1988) 'Review: The Horrible Dr. Hichcock', Deep Red, 5 December, 7.
4 Jenks, C. (1996) 'The Other Face of Death: Barbara Steele and La Maschera del Demonio', in Black, A. (ed.)
Necronomicon Vol. 1. London: Creation Books, 88.
5 Ibid.
6 Lyotard 1993: 63-4.
7 From I. H. Granr's very useful glossary at the beginning of Lyotard, Libidinal Economy, xiv.
8 See Williams, J. (2000) Lyotard: Towards a Post-Modern Philosophy. Cambridge: Polity Press, 53.
9 Lyotard 1993: 21.
10 Deleuze, G. (1989) Cinema 2: The Time Image (rrans. H. Tomlinson and R. Galera). London: Athlone Press, 212.
11 Jenks 1996: 100.

CHAPTER 18

1 For a thorough catalogue of sexual images of nuns, see Fentone, S. (2000) Anticristo: The Bible of Nasty Nun Sinema
& Culture. Guildford: FAB Press.
2 Nun films from Italy (149) compared to those from Asia (Hong Kong, Japan and the Philippines, 40), Canada (34),
France (66), Germany (24) and Spain (42). See Fentone 2000: 286-308.
3 See Fentone 2000; Zalcock, B. (1998) Renegade Sisters: Girl Gangs on Film. London: Creation Books; Bruschini, A.
and Tentori, A. (1993) Malizie perverse: il cinema erotico italiano. Bologna: Granata; Notturno Cinema (2000).
4 Bertolino, M. and Ridola, E. (1999) Vizietti all'italiana: l'epoca d'oro della commedia sexy. Florence: Igor Molino
Editore; Spinazzola, V. (1985) Cinema e pubblico: lo spettacolo filmico in Italia 1945-1965. Rome: Bulzoni, 321; as
well as in ads in trade journals such as Variety and Film and TV. Daily.
5 Fentone 2000: 34-5.
6 Istituto Doxa (1976) Ilpubblico delcinema. Rome: Istituto Doxa; Sorlin, P. (1996) Italian National Cinema 1896-
1996. London: Routledge, 179, n.3; Della Casa, S. (2001) Storia e storie del cinema popolare italiano. Turin: Editrice
La Stampa, 33.
7 Sorlin 1996: 178-9; Wagstaff, C. (1992) 'A Forkful of Westerns: Industry, Audiences and the Italian Western', in
Dyer, R. and Vincendeau, G. (eds) Popular European Cinema. London: Routledge, 249; See also Della Casa 2001:
46.
8 Wagstaff 1992: 253-4.
9 Della Casa 2001: 87.
10 Caddeo, F. (2002) 'Incontro con Claudio Fragasso, un vero regista di genere', http://www.horrorcult.com
11 Fentone 2000: 31.
12 Gomarasca, M. (2000) 'Antinferno: lo sguardo laico', Notturno Cinema, 18.
13 Mazzucchelli, M. (1961) La monaca di Monza. Milan: Dall'Oglio; Mazzucchelli, M. (1964) Manzoni e la monaca di
Monza. Milan: Cino del Duca.

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