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in
Horror',
Schneider,
S.
'Exorcising
Russian
Devil:
Cinema
and
the
J.
Williams,
T.
(eds) Horror
Woll,
and
J.
(2004)
3
International. Detroit: Wayne State University Press, forthcoming.
'Uzhas
S.
(1992)
Dobrotvorsky,
4
I
the
at
Fear
End
Millenium]',
the
of
strah
v
konze
and
[Horror
tisyachiletya
reprinted in Arkus, L. (ed.) (2001) Kino naoshtup [Senses of Cinema]. St. Petersburg: Seans Publishing House, 75
(translation of all references is the author's).
5 'The Russian Idea' is a synopsis of Kovalov's script for Russkaya Ideya (The Russian Idea, 1995), directed by Sergei
Selyanov. It was the Russian entry of the British Film Institute project for the centennial anniversary of cinema. See
Kovalov, O. (1996) 'Russkaya Ideya [The Russian Idea]', Seans, 12.
6 Kovalov 1996: 12, 76.
7 Berdyaev, N. (1992) [1946] The Russian Idea. Hudson: Lindisfarne Press. http://www.emory.edu/INTELNET/
four_thinkers.html
8 Hoffmann, S. P. (1995) 'Nicholas Berdyaev, the Russian Idea and Liberty', Taylor University, http://campus.
houghton.edu/orgs/acad_dean/Hoffmann01_Nicholas_Berdyaev.htm
9 Berdyaev 1992.
10 Ronkin, V. (2003) 'Gorod-Sad [The Garden City]' http://kitezh.onego.ru/
11 Kovalov 1996: 76.
12 Laplanche, J. andJ.-B. Pontalis (1964) 'Fantasy and the Origins of Sexuality', inButgin, V., Donald, I. and Kaplan, C.
(eds) (1986) Formation of Fantasy. London: Methuen, 19.
13 Laplanche, J. and Pontalis, J-B. (1974) The Language of Psychoanalysis. New York: W. W. Norton, 475.
14 Kovalov 1996: 76.
15 Ibid.
16 Turovskaya, M. (1988) T. A. Pyrev I ego muzikalnye komedii. K probleme zhanra [I. A, Pyrev and his musical
comedies. On the problems of genre]', Kinovedcheskie zapiski [Cinema Studies Notes], 1,111-46.
17 Morris, D. B. (1985) 'Gothic Sublimity', New Literary History 16, 299-319.
18 Stojanova, C. (2004) 'Beyond Dracula and Ceausescu: Phenomenology of Horror in Romanian Cinema', in
Schneider, S.J. and Williams, T. (eds) Horror International. Detroit: Wayne State University Press, forthcoming.
19 Stojanova 2004: forthcoming; T. Todorov (1973) The Fantastic. Ithaca: Cornell University Press, 41.
20 Stojanova 2004: forrhcoming.
21 Foster, H. (1995) Compulsive Beauty. Cambridge, MA: MIT Press, 19.
22 Encyclopaedia of World Mythologies [Mifyi narodov mira] (1982). Moscow: Sovetskaya Enzyklopedia Publishing
House, 29.
23 Stojanova 2004: forthcoming.
24 Schneider, S. J. (2001) 'Manifestations of the Literary Double in Modern Horror Cinema', Film and Philosophy.
Special Edition, 51-62.
25 Freud, S. (1953) 'The Uncanny', in Strachey, J. (ed.) The Standard Edition of the Complete Psychological Works of
Sigmund Freud (vol. XVII). London: Hogarth, 219-52.
26 Berdyaev 1992.
27 For an explanation of the Latin phrase mysterium tremendum, see Varnado, S. L. (1974) 'The Idea of the Numinous
in Gothic Literature', The Gothic Imagination: Essays in Dark Romanticism. Washington State University Press,
11-21.
28 For a description, see Leyda, J. (1983) A History of the Russian and Soviet Film. Princeton: Princeton University
Press, 78. Also see: Youngblood, D. J. (1992) Movies For the Masses: Popular Cinema and Soviet Society in the
1920s. New York: Cambridge University Press, 2.
29 Varma, D. P. (1966) The Gothic Flame. New York: Russell & Russell, 49.
30 Ibid.
31 Berdyaev 1992.
32 Wofl, J. (2004) 'Exorcising the Devil: Russian Cinema and Horror', in Schneider, S. J. and Williams, T. (eds)
Horror International. Detroit: Wayne State University Press, forthcoming.
33 Dobrotvorsky 1992: 75.
34 Mantsov, I. (1998) Tmitatsia Zhanra [Genre Imitation]', Iskusstvo kino 6, 3—A, http://www.kinoart.ru/1998/6/
17.html
253