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N O T E S





                               INTRODUCTION
                                1  Bourdieu, P.  (1986) Distinction: Social Critique of Judgement. London: Routledge.
                               2  Sorlin,  P  (1991) European Cinemas — European Societies. London: Routledge.
                               3   Dyer, R. and Vincendeau, G. (eds) (1992) Popular European Cinema. London and New York: Routledge, 2.
                               4  Forbes,  J.  and  Street,  S.  (eds)  (2000) European Cinema: An Introduction. Basingstoke: Palgrave, xiii.
                               5  Fowler,  C.  (ed.)  (2002) The European Cinema Reader. London: Routledge.
                               6   Dyer, R. and Vincendeau, G. (eds) (1992) Popular European Cinema. London and New York: Routledge.
                               7   Ezra, E. (ed.) (2004) European Cinema. Oxford: Oxford University Press; Eleftheriotis, D. (2001) Popular Cinemas
                                  of  Europe.  London:  Continuum;  Holmes,  D.  and  Smith,  A.  (eds)  100  Years  of  European  Cinema.  Manchester:
                                  Manchester University Press.
                               8  Dyer,  R.  (1997) White. London: Routledge.
                               9  Sconce,  J.  (1995).  'Trashing  the  Academy:  Taste,  Excess  and  an  Emerging  Politics  of Cinematic  Style', Screen, 36
                                  (4), 371-93; Hawkins, J.  (2000)  Cutting Edge. Minneapolis: University of Minnesota Press; Betz, M.  (2003)  Art,
                                  Exploitation,  Underground',  in Jancovich, M.,  Lazaro-Reboll, A.,  Stringer, J.  and Willis, A.  (eds.)  Defining Cult
                                  Movies: The Cultural Politics of Oppositional Taste. Manchester: Manchester University Press, 202-22.
                                10 Mendik,  X.  (2000)  Tenebrae.  Trowbridge:  Flicks  Books;  Mathijs,  E.  (2004)  'Les  Lèvres  RougeslDaughters  of
                                  Darkness', in Mathijs, E. (ed.) The Cinema of the Low Countries. London: Wallflower Press, 97-108.
                                11 See  for  instance:  Hutchings,  P.  (2003)  'The Argento  Effect',  in  Jancovich,  M.,  Lazaro-Reboll,  A.,  Stringer,  J.
                                  and  Willis,  A.  (eds.)  Defining  Cult Movies:  The  Cultural Politics  of Oppositional  Taste.  Manchester:  Manchester
                                  University Press,  127-41 ; Grant, M.  (2000) 'Fulci's Waste Land: Cinema, Horror and the Dreams of Modernism',
                                  in Harper, G. and Mendik, X. (eds.) Unruly Pleasures: The Cult Film and Its Critics. Guilford: FAB Press, 63—71.
                               12 See Bazin, A. (1975) Le cinema de la cruauté (edited by François Truffaut). Paris: Flammarion.






















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