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in Hunter, I. Q.  (ed.) British Science Fiction Cinema.  London: Routledge, 88-98.
                                         Hunter  1999:  6.
                                      6
                                      7   see Conrich,  I.  (1999)  'Trashing London: The British Colossal Creature Film and Fantasies of Mass Destruction,
                                         Berenstein, R. J. (1996) Attack of the Leading Ladies: Gender, Sexuality and Spectatorship in Classic Horror Cinema.
                                         Columbia: Columbia University Press,  160-97.
                                      8   Ibid.,  170-1.
                                      9  Ibid.,  171.
                                      10  Peter Cook and Dudley Moore, Derek and Clive Come Again (Virgin LP  1977, CD  1994).
                                      CHAPTER  3
                                      1  Köster  quoted  in  Herzog,  D.  (1998)  '"Pleasure,  Sex  and  Politics  Belong Together":  Post-Holocaust  Memory  and  the
                                         Sexual  Revolution  in West Germany',  Critical Inquiry,  24, 442.
                                      2  Ibid.
                                      3  Linke,  U.  (1999) German Bodies: Race and Representation after Hitler. New York: Routledge, 55.
                                      4   Herzog 1998: 398.
                                      5   Loiperdinger,  M.  (1993)  'Filmzensur und Selbstkontrolle:  Politische  Reifeprüfung',  in Jacobsen, W,  Kaes, A.  and
                                         Prinzler, H. H. (eds) Geschichte des Deutschen Films. Stuttgart: Verlag J.B. Metzler, 496.
                                      6   See Silberman, M. (1995) German Cinema: Texts in Context. Detroit: Wayne State University Press,  182.
                                      7  Tohill,  C.  andTombs,  P.  (1994) Immoral Tales: European Sex and Horror Movies, 1956-1984. New York: St. Martins
                                         Griffin,  44-5.
                                      8  Seesslen,  G.  (1990)  Der pornographische Film:  Von den Angangen  bis zur Gegenwart.  Frankfurt:  Ullstein Verlag,
                                        260.
                                      9  Lenssen,  C.  (1993)  'Film  der  siebziger  Jahre:  Die  Macht  der  Gefühle'  [the  chapter  on  West  German  film  hisrory  in
                                        the 1970s], in Jacobsen, W. et al. (eds) Geschichte des Deutschen Films, 249-84.
                                      10  Hake, S.  (2002)  German National Cinema. New York: Routledge,  152.
                                      11  Elsaesser, T. (1989) New German Cinema: A History. Piscataway, NJ: Rutgers University Press, 69.
                                      12  Foucault, M. (1990) The History of Sexuality, Volume I: An Introduction. New York: Vintage Books, 45.
                                      13  Anderson, B. (1991) Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso,
                                        204-6.
                                      14  Berlant L.  and  M.  Warner  (1998)  'Sex  in  Public',  Critical Inquiry 24,  549.
                                      15  Foucault  1990: 62-3.
                                      16  Mitscherlich, A. and Mitscherlich, M. (1975) The Inability to Mourn: Principles of Collective Behavior (trans. B. R.
                                        Placzek). New York: Grove Press, 25.
                                      17  Ibid.
                                      18  Speier,  S.  (1993).  'The  Psychoanalyst  without  a  Face:  Psychoanalysis  without  a  History',  in  Heimannsberg,  B.
                                        and Schmidt, C. (eds) The Collective Silence: German Identity and the Legacy of Shame (trans. C. O. Harris and
                                        G. Wheelter). San Francisco: Jossey-Bass Publishers, 67
                                      19  Speier 1993: 67.
                                     20  Heimannsberg,  B and Schmidt, C.  (1993)  'The  Psychological Symptoms of the Nazi Heritage:  Introduction  to the
                                        German  Edition',  The  Collective  Silence:  German  Identity  and  the  Legacy  of  Shame  (trans.  C.  O.  Harris  and  G.
                                        Wheelter). San Francisco: Jossey-Bass Publishers, 4.
                                     21  For  a  detailed  discussion  of rhese  events  in  relation  to  the  student  movement  see  Thomas,  N.  (2003)  Protest
                                        Movements in 1960s West Germany: A Social History of Dissent and Democracy. Oxford: Berg, 123.
                                     22  Schneider,  M.  (1984)  'Fathers and  Sons,  Retrospectively: The  Damaged  Relationship  between Two  Generations',
                                        New German Critique, 31, 24.
                                     23  Schneider 1984: 44.
                                     24  Elsaesser 1989: 23; Seesslen, G. (1990) Der pornographische Film, Ullstein: Tubingen Verlag, 264.
                                     25  Dyer, R. (2002) 'Entertainment and Utopia', in Cohan, S. (ed.) Hollywood Musicals: The Film Reader. London, New
                                        York: Roudedge, 19-30.
                                     26  Williams,  L.  (1999)  Hard Core: Power,  Pleasure and the  Frenzy of the  Visible',  2nd  edn.  Berkeley:  University of

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