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27 Geyer, M. (1996) 'The Politics of Memory in Contemporary Germany', in Copjec, J. (ed.) Radical Evil. New York:
Verso, 177.
28 Geyer 1996: 186-8.
CHAPTER 4
1 This chapter was first published, in a somewhat different version, in Post Script 20, 2. We thank the editors of Post
Script for their generous approval to reprint it.
2 Borau, J. L. (ed.) (1998) Diccionario de cine español. Madrid: Alianza, 463.
3 Compitello, M. (1999) 'From Planning to Design: The Culture of Flexible Accumulation in Post-Cambio Madrid',
Arizona Journal of Hispanic Cultural Studies, 3, 207.
4 Hopewell, J. (1989) El cine español después de Franco, 1973-198%. Madrid: El arquero, 458 (my translation).
5 Quoted in Hopewell 1989: 196 (my translation).
6 Smith, R J. (2000) 'Open Your Eyes, Sight and Sound, 10, 3, 48.
7 Arroyo, J. (1999) 'Perdita Durango', Sight and Sound, 9, 3, 49.
8 Smith, P J. (1994) Desire Unlimited: The Cinema of Pedro Almodóvar. London: Verso, 4-5.
9 Finney, A. (1996) The State of European Cinema: A New Dose of Reality. London: Cassell, 108-13.
10 Ibid., 121.
11 Alcón, A. S. (1998) Andres Vincente Gomez', in Borau, J. L. (ed.) Diccionario de cine español, 417.
12 Arroyo 1999: 49.
13 Torreiro, M. (1997) 'Perdita Durango', El País (2 November).
14 Arroyo 1999: 49.
15 Kinder, M. (1996) 'Spain After Franco', in Nowell-Smith, G. (ed.) Oxford History ofWorld Cinema. London: Oxford
University Press, 603.
16 Eleftheriotis, D. (2000) 'Cultural difference and exchange: a future for European film', Screen 41,1, 94.
17 Hernández, R. J. (1998) 'La peliculilla del amigúete', Dirigido, 266, 38.
18 Rodríguez, M.-S. (2000) 'Torrente, el brazo tono de la ley (Segura, 1998), o como reírse de las fantasmas', unpublished
paper delivered at the 4th Conference of the International Society for Luso-Hispanic Humour Studies, Montreal,
Canada, 28 September 2000.
19 Hernández, R. J. (1999) 'Muertos de risa: Vanitas vanitatis', Dirigido, 277, 20.
20 Kinder, M.(1993) Blood Cinema: The Reconstruction ofnNational Identity in Spain. Berkeley: University of California
Press, 137.
21 Compitello 1999: 206.
22 Kinder, M. (1997) 'Refiguring Socialist Spain: An Introduction', in Kinder, M. (ed.) RefiguringSpain: Cinema/Media/
Representation. Durham: Duke University Press, 1-31.
23 Maxwell, R. (1995) The Spectacle of Democracy: Spanish Television, Nationalism and Political Transition. Minneapolis:
University of Minnesota Press, 5.
24 Martini, J. C. (1977) 'Introduction', in Sánchez Polack, L. and Coll, J. L., Tip y Coll Spain. Barcelona: Bruguera,
5-6.
25 'Entrevista: Alex de la Iglesia.' 'El humor es una cosa muy seria.' Sala I, Diario de cine. <hrrp://www.saIal.com/
reportajes/alex.html>.
26 Fernández-Santos, A. (1999) 'Muertos de risa', El País, (14 March).
27 Maxwell 1995: 45-6.
28 Rimbau, E. (1998) 'Raphael', in Borau, J. L. (ed.) Diccionario de cine español, 752—3.
29 'Raphael World Wide Site', http://www.galeon.com/raphaelwws/faq2.htm
30 Malcwell 1995: 35.

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1 Mosley, P. (2001) Split Screen; Belgian Cinema and Cultural Identity. Albany: State University of New York Press,

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