Page 104 - An Introduction to Political Communication Second Edition
P. 104

THE MEDIA AS POLITICAL ACTORS

            Paxman, hang on to their victim like a pit-bull terrier, until the
            politicians’ refusal or inability to answer is transparently revealed.
            Robin Day too, in his prime, had sufficient status as a pundit to
            discard the conventions of etiquette and deference which politicians
            could once expect to be observed in broadcasting studios. Such
            status is acquired, like that of the press columnist, by the
            interviewer’s history of access to the inside track of politics, and
            the audience’s knowledge that he (they are, as yet, mainly men,
            although Zeinab Badawi, Kirsty Wark and Sheena McDonald have
            emerged as future contenders) move in the same circles as those
            being interviewed. Indeed, both Robin Day and Brian Walden had
            backgrounds in professional politics.
              The phenomenon of the ‘star’ interviewer, and the increasingly
            combative, adversarial style of broadcast political interview in the
            1990s, has been a cause of considerable tension between the
            politicians and the broadcasters, especially the BBC. First the Tories,
            and then Labour in office, have attacked the BBC’s most aggressive
            (some would say most effective) interviewers, like John Humphrys,
            Jeremy Paxman, Anna Ford, and Sue MacGregor, on the grounds
            that they are usurping the right of the elected politician to present
            his or her arguments on air. BBC managers have been regularly leaned
            on by both Labour and Conservative media ‘minders’ anxious to
            protect their clients, and to create a less adversarial interviewing
            environment. The interviewers have responded by saying that they
            are merely doing what their fourth estate role requires of them—
            standing up for the public, and representing its interests against a
            political class whose members now come to the broadcast studio
            armed to the teeth with sophisticated public relations and news
            management techniques, designed to maximise the free flow of nice-
            sounding but politically empty rhetoric. The adversarial interview,
            say its advocates, is a necessary tool to cut through this rhetorical
            gloss and expose the hard core of policy beneath.
              In a notorious case of this technique in action, Jeremy Paxman
            once asked a Conservative minister exactly the same question
            fourteen consecutive times, and still failed to get the straight answer
            he wanted, thereby communicating a powerful message about the
            politician’s prognostication and evasiveness. At other times
            interviewers have crossed the line from legitimate questioning into
            the realm of rudeness and self-importance, elevating the
            demonstration of their own inquisitorial cleverness over the carrying
            out of the journalistic tasks at hand. On balance, however, and in
            the face of such intensively deployed public relations techniques as

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