Page 102 - An Introduction to Political Communication Third Edition
P. 102

THE MEDIA AS POLITICAL ACTORS

               ‘little  England’  themes.  Ken  Livingstone  (before  he  was  elected
               mayor  of  London)  has  written  for  the  Sun (one  of  the  rare
               examples, as is former communist Martin Jacques’s employment by
               the Sunday Times in the 1990s) of a columnist not reflecting the
               newspaper’s broad editorial stance. 4
                 Livingstone’s column for the Sun was a reflection of his popu-
               larity, founded on the controversial image of ‘loony leftism’ which
               the  Sun itself  played  a  major  role  in  creating.  It  illustrates  an
               important  feature  of  the  press  column:  it  can  be  a  very  popular
               journalistic  form.  In  the  tabloids  particularly,  to  quote  Nimmo
               and Combs, ‘punditry has become a form of entertainment, both
               shaping and adjusting to popular expectations regarding how to
               keep up with and understand “what’s happening” ’ (ibid., p. 41).
               The  credibility  of  such  politician-columnists  as  Ken  Livingstone,
               Bernard Ingham or Norman Tebbit is founded on their status as
               political  ‘insiders’.  They,  as  opposed  to  other  politicians,  are
               employed as columnists because their names have audience pulling
               power and because their plain-speaking, extremist viewpoints are
               assumed to help circulation figures.


                                    THE FEATURE

               Another  important  form  of  political  journalism  is  the  feature
               article. While not, of course, restricted to coverage of politics, the
               feature  article  is  the  arena  for  a  more  detailed  exploration  of
               political  affairs  than  straight  news  allows.  Features  frequently
               accompany  news  stories,  expanding  on  issues  and  events  which
               a  news  story  can  only  report  in  a  summary  fashion.  Like  the
               columnist,  the  feature  writer  will  if  possible  enlist  the  aid  of
               political insiders to obtain reliable material, although the feature
               must stick closely to the conventions of objectivity described above.
               When addressing a political theme, the feature writer must convince
               the reader of his or her ‘objectivity’ as a journalist, while at the same
               time  pressing  a  personal  agenda.  Alternatively,  the  research  for
               a feature (the data upon which its objectivity will be founded) can
               be  gained  by  on-the-spot  interviews  with  participants  in  the
               events underlying a current political issue. When, for example, a
               journalist wishes to draw attention to the failings of government
               foreign  policy  towards  a  particular  region,  he  or  she  may  travel
               there, record the scene and the views of its inhabitants, and fashion
               a piece which condemns the government, if not always explicitly.


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