Page 34 - Cinematic Thinking Philosophical Approaches to the New Cinema
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24  Kelly  Oliver

        not people." When  Telepathy wins the race after  Marnie  tells Mark not  to
        bet  on  him  because  he  is  "wall-eyed,"  Mark  says that  she shouldn't  have
        "chickened" out because her wall-eyed  reject won. Taking Marnie to meet
        his  father,  Mark  reassures  Marnie  (who  didn't  expect  to  be  making  the
        visit)  that  his  father  "goes  by  scent—if  you  smell  anything  like  a  horse,
        you're  in." And  when  he  introduces  her  to  his  father—who  exclaims,  "A
        girl!"—Mark  says,  "Not  really  a girl,  a  horse  fancier."  In  the  next  scene
        Marnie  is  robbing  the  safe  at  Rutland's  office,  after  which  Mark  tracks
        her  down. And,  as  I mentioned  earlier,  the  exchange  between  Mark  and
        Marnie at this point  revolves around the metaphor  of Marnie  as a trapped
        animal.  Mark  says  that  he  can't  just  turn  her  "loose"  after  she  accuses
        him  of  trapping  her. And  when  Mark  imagines  his  father's  response  to
        their  sudden  marriage,  he  says,  "Dad  admires  wholesome  animal  lust."
        When  Marnie  is worried  about  the  name  that would  appear  on the  mar-
        riage license  (she has been  using the alias Mary Taylor), Mark  says that  it
        doesn't  matter  if the license  says "Minnie Q.  Mouse"; it  is still legal. And
        he says that he can  easily explain why he is calling her Marnie rather  than
        Mary,  by saying  that  it  is a  "pet"  name. On  their  honeymoon,  when  she
        screams  for Mark to unhand  her, she exclaims that she cannot  "bear to be
        handled"  as if she is a horse or an animal. Indeed, she says that marriage is
        degrading;  "it's animal!" And when Mark suggests that she is sick because
        she won't let him  touch her, she tells him, "Men, you say no thanks to one
        of them  and  you're  a candidate  for  the  funny  farm,"  again  an  allusion  to
        the  animal.
             During a conversation on their honeymoon, Mark is explaining how a
        certain coral-colored insect evades detection by birds by taking the shape of
        a flower; Marnie is likened to this insect insofar  as she is a criminal evading
        detection  by taking  the shape  of a beautiful  mild-mannered  widow.  Later
        that evening, Mark  leaves his book Animals  of the Seashore and Marine  Life
        behind  to  fulfill  his  uncontrollable  animal  lusts  by  raping  Marnie;  but
        the next morning,  he finds her  floating  face-down  in the swimming  pool.
        When  he asks her why she didn't just jump  overboard  (they are on a ship),
        she  replies  that  she wanted  to  kill  herself,  "not  feed  the  damned  fishes."
        When  they return home, she clandestinely calls her mother, explaining her
        absence by telling her that she had the flu and couldn't visit or call, saying,
        "I'm  still  a  little  hoarse,"  a homophone  of  "I'm  still  a little  horse."  Mark
        trades  in  his marine  biology  books  for  Sexual Aberrations  of the  Criminal
        Female and begins to interrogate Marnie about her childhood, to the point
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