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                                                          Interaction versus Integration  129
                  community. The ‘network society’ is marked not by a change in
                  semiolinguistic extension (an ability to extend meaning) which works the
                  same for both speech and writing, but by the phenomenon of language-as-
                  writing as a technological power in itself changing and producing more
                  and more non-saturable and open contexts.
                      The notion that ‘writing’overcomes the problem of immediacy is as
                  ideological as the notion that this already occurs in relations of mutual
                  presence or of performative, event-like statements. And yet Derrida is
                  enthusiastic about telecommunication not because it creates a global
                  village but because it undermines the ideological notion of an homoge-
                  neous context by installing the material power of writing as a non-
                  saturable context. The kind of threat which only writing makes possible
                  to logocentrism is now made more universal than ever following the rise
                  of telecommunication.

                     As writing, communication, if one insists upon maintaining the word, is not
                     the means of transport of sense, the exchange of intentions and meanings,
                     the discourse and ‘communication of consciousnesses’. We are not wit-
                     nessing an end of writing which, to follow McLuhan’s ideological represen-
                     tation, would restore a transparency or immediacy of social relations; but
                     indeed a more and more powerful historical unfolding of a general writing
                     of which the system of speech, consciousness, meaning, presence, truth,
                     etc., would only be an effect. (SEC: 329)

                      Derrida is here critical of how McLuhan singles out writing (in the
                  narrow sense as defined by Derrida) as the one technology of communi-
                  cation which threatens the, by his account, sensory richness of an oral cul-
                  ture by means of an over-dependence on vision. The emergence and
                  predominance of exclusively electric technologies are posited to facilitate
                  the restoration of sensory balance (especially the liberation of the said
                  improvisory, gestural and synaesthetic qualities of speech), counter-
                  balancing the linear and mechanical culture of what McLuhan (1967) calls
                  Gutenberg or typographic man.
                      For Derrida, the effect of privileging the narrow definition of writing
                  is that it reinstates a dichotomy between speech and writing which in turn
                  reinstates the phonocentric metaphysics of presence: ‘It is this questioned
                  effect that I have elsewhere called logocentrism’ (SEC: 329). The ‘powerful
                  historical unfolding of a general writing’ arrives to release the radical
                  potential of the ‘essential predicates’ of the general, disseminative status of
                  writing which have always been repressed and denied by logocentrism:

                     … writing, as a classical concept, carries with it predicates … whose force
                     of generality, generalization, and generativity find themselves liberated, grafted
                     onto a ‘new’ concept of writing which also corresponds to whatever always
                     has resisted the former organization of forces, which has always constituted
                     the remainder irreducible to the dominant force which organized the – to
                     say it quickly – logocentric hierarchy. (SEC 329–30)
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