Page 235 - Communication and Citizenship Journalism and the Public Sphere
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224 COMMUNICATION AND CITIZENSHIP

            surprise then that the intimization of Dutch TV news coincides with a
            remarkably high number of women newsreaders.
              At this point  a disclaimer is necessary. The women  newsreaders
            themselves will firmly deny that the supposedly superior capacities of
            women to sustain intimate relationships (in this case with the audience)
            is the main reason for appointing them. The women newsreaders and
            their superiors will rightfully refer to professional standards providing
            criteria for recruitment policies.
              Without denying  their professional  performance, however, women
            can hardly be expected to come to the public sphere playing merely a
            professional role, in this case as a newsreader. Again that would deny
            the gendered  nature of subjects, the  gendered nature of cultural
            expectations and perceptions. ‘Woman’ inevitably  signifies a whole
            cultural set of feminine values. Which of these come especially to the
            fore varies and  depends on the  particular context, as  comparison
            between the women newsreaders of BBC news and Dutch TV news
            shows.
              Writing about BBC news, Holland wonders:
              Is there some quality expected of newsreaders, which, despite the
              apparent contradictions, is turning this into a suitable role for
              women to play?… Is this role of mediation and management one
              that can be reconciled with the forms of femininity that have been
              constructed out of power relations between women and men?
                                                 (Holland 1987:142–3)

            She argues that newsreading might become a ‘woman’s job’ because
            the newsreader’s task has become that of a performer.  For women ‘the
            invitation to speak with the voice of authority may be nothing more but
            an invitation, yet again, to be a decorative performer’ (Holland 1987:
            149). Holland draws her evidence from public discourse about well-
            known British anchor-women,  in which their  appearances  and
            ‘feminine’ styles (often criticized as not ‘feminine’  at all) are
            continuously foregrounded. Holland concludes that  the presence of
            women newsreaders in the BBC news expresses a common and well-
            known form of televisual femininity: woman as a pleasurable object for
            the voyeuristic (male) gaze: ‘If we are not watchful we will find that
            once more, with the infinite flexibility of effortless power, women will
            have been put in their place again’ (Holland 1987:149).
              In abstract terms her argument can be applied to Dutch television
            news as well. In the Dutch case too the high visibility of women marks
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