Page 50 - Composition in Convergence The Impact of the New Media on Writing Assessment
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INTERNETWORKED  WRITING         17

         develop lines of thinking and writing  that embrace a wider range
         of  ideas that what  is often  possible in the  traditional  classroom
         setting and what can be measured by conventional writing assess-
         ment  methods.
           Envisioning  the  writing  classroom  as  a  salon  transforms  the
         present  structure  of  most  composition  classes  in  three  distinct
        ways   that jolt  established  writing  assessment  plans.  First,  com-
         puter technology alters the style, discussion climate, and topic con-
         siderations  found in  college writing  classes. Instead of the course
        being teacher-centered or test-centered to maintain  the talk-write
        balance, networked writing  classes demand that students  keep the
         discussions  organized  and  going.  Students  now  balance  the
        talk-write schism. Depending on the classroom format,   the  possi-
        bility  exists that  even a write-write split occurs in  asynchronous
        classes. This may make it difficult  for teachers to select a workable
        topic prompt from which students are to write, because online con-
        versations tend to be fragmented exchanges or threads that morph
        into  new  discussions. Second,  to  borrow  from  J  rgen Habermas
         (1991),  a networked  environment  promotes  social interplay  that
        completely disregards one's status or rank. Instead of hierarchical
        or institutional  structures granting participants the oppor- tunity
        to write or listen with authority,  the salon format of online discus-
        sions leads the class to value authority based on the best arguments
        made in support  of or in defense of an issue — whether  the best  ar-
        gument is made by the students  or the professor. This notion  runs
        counter  to  holistic  assessment,  because it  is  up  to  the  "trained"
        reader — usually a member of the writing faculty or a graduate  stu-
        dent — to determine what is the proper argument  for the  prompt.
           A third  way  that the  salon  metaphor  highlights a change in the
        dynamics of classroom discussion is by including all students in the
        teaching  mix  as readers, respondents,  or  spectators.  The exclusion
        that happens in the Siberian outposts of traditional classroom spaces
        (corners, back rows, near windows,  etc.) dissipates in the networked
        environment.  In  chat,  integrated  writing  software  programs,  or
        other  online activities,  students  must be attentive.  Although  some
        students may choose to stay silent or to redirect topics under discus-
        sion to something more to their liking, everyone is available to dis-
        cuss the topics at hand. Rarely in assessment situations are students
        able to shift topic prompts to fit their interests. Closely linked to this
        behavior  is the way  the writing  class becomes radicalized through
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