Page 54 - Composition in Convergence The Impact of the New Media on Writing Assessment
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INTERNETWORKED  WRITING         21

             knowledge of linguistic devices (techniques writers use to help reader
             make connections among ideas). In addition, writing is also affected by
             the writer's command of production components,  such as handwrit-
             ing, spelling, and  punctuation.  (Leslie & Jett-Simpson, 1997, p. 19)


           Few in Composition would   argue with  the  opening line of these
         authors'  description of composition,  regardless of our  pedagogical
         inclinations. Generally, writing instructors of any persuasion would
         agree that the writing process depends on how writers interact  with
         what they know, the genre, and the situation in which they are writ-
         ing. However, given the vast amount  of research done in the writing
         process over the last 30 years, Leslie and Jett-Simpson' s oversimpli-
         fication of what comprises "writer 's knowledge" in their definition is
         astounding. If the composing process were as easily defined and clas-
         sified  as these authors  suggest — even in a F2F writing  class — evalu-
         ating a student writer 's progress would not be the painstaking event
         it  frequently  seems to  be for  writing  faculty  each  semester.  What
         these  authors  (and those  who  subscribe to  this  understanding of
         composition  in the field of tests and measurements)  fail to  acknowl-
         edge is each of these reductive categories is highly mediated and  ne-
         gotiated  by  the  texts  students  produce  and  the  contexts  in  which
         students produce those texts, as Composition has discovered over the
        last 3 to 5 decades. Yet what Leslie and Jett-Simpson  (1997) proffered
        in their basic, but  problematic, definition is an all-too-common  one
        guiding  both the  assessment  of student writing at  the  college level
        and  the  definition of assessment  used by  hundreds  of writing  in-
         structors and their program  administrators. This definition of writ-
        ing  assessment  is  the  one  most  subject  to  transformation  in
        Composition's  convergence with  technology.
           A writer 's knowledge in networked spaces is quite different  from
        what  is  presented  in  the  Leslie  and  Jett-Simpson  (1997)  model.
        Christina Haas (1996) noted that the student writer must  adapt to
        the  material  changes  in the writing  process  caused  by  computer
        technology. Writers plan, write, and revise differently  when  word
        processing  compared   with  pen-and-paper   production.  For  in-
        stance, Haas (1996) explained that studies indicate writers may do
        less higher  level text planning  (organization,  thesis  development,
        and  decisions about  tone  or  rhetorical  selections) with  the  com-
        puter.  Instead, writers may focus more on low-level text  planning
        (surface  level error) because small computer screens constrain  the
        writer from  seeing the entire text and direct the writer to think in
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