Page 66 - Composition in Convergence The Impact of the New Media on Writing Assessment
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TRANSFORMING TEXTS          33

        text and textual production.  Now, though,  writing  instructors need
        to  explore how  these transformations  in the  text  can be assessed if
        they are to respond with any type of authority  to institutional  and
        student  demands. External oppositional voices—and some internal
        antagonistic voices as well—are able to dismiss any curricular  inno-
        vation  like technological convergence or  even Composition itself if
        there is a lack of correspondence between the  stated course goals or
        standards  and  the  ability  to  measure  the  students'  capability  for
        meeting them.  The computer decentralizes the teacher's classroom
        authority  and  redistributes  it  throughout  a  roomful  of  writers,
        thereby  removing much   of the  traditional  writing  teacher's direct
        intervention  in the  overall  evaluation  of students'  writing.  That is
        why greater efforts need to be made to demonstrate to the naysayers
        that course goals, standards, and outcomes can and do exist for these
        new textual forms. Mechanisms need to be in place to show adminis-
        trators,  faculty, and students that e-texts  can be appraised in some
        way and can show   student  growth  in  writing.
           As more writing  programs  and  their  professors  enter  the  brave
        new world of program assessment at the same time that campus ad-
        ministrators and accreditation  groups  are encouraging  greater  use
        of technology in composition classes, the integration  of writing  as-
        sessment and computer technology has to be examined carefully. All
        of us have to ask ourselves whether writing instructors can evaluate
        written work that is completely "owned" by the students, especially
        if the entire class develops into its own literate learning  community
        and so understands the language, the contexts, and the adaptability
        of  the  discourse to  communicate  with  others.  Or, is Composition
        such  the  example that  classroom-generated  writing—especially in
        assessment contexts—will never be fully  "owned" by student writers
        and will always have, to varying degrees, the teacher  overriding  or
        overwriting  the final submission?
           Textual  ownership  is a  central  and  sensitive issue in  computer-
        based  writing  assessment, because students  who  upload  any  elec-
        tronic  texts  to  the  Internet  are  publishing  authors  and  share  the
        same rights and privileges to their written work that their professors
        do. Just  as many  writing  teachers bristle at  moderated  listowners
        who assess and overwrite submitted posts before  distributing  them
        to  the  audience,  student  writers  involved  in  networked  writing
        spaces find themselves equally piqued when writing teachers engage
        in these practices.  If writing instructors are teaching  students  how
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